writing to survive
unknotting the past and remaking the present one story at a time

And in the room locked up inside me

Oh, the eighties. Crazy eye shadow in unnatural colors that we laid on in thick stripes or with polka dots. Big hair. Hair short on one side, long on the other. Fauxhawks or the real thing (the seventies with its punks and groomed hippies wasn't long gone). The Esprit shirt with little yellow paisley flourishes on a white background that the guys teased me looked like pajamas. MIA shoes, white and pointy. The Limited baggy pants with snaps at the ankles. Men’s shirts on my small adolescent frame. Safety pins linked together as earrings. Florescent pink socks with black flats, G. and me sauntering down South Street (Zipperhead, resale shops, records) us barely fifteen, cigarettes hanging out of our mouths. Buying Marlboros, then cloves, and then, when the smell of smoke made me sick, just British music magazines, from the Smoke Shop across from the Acme.

I remember what it was like to care about fashion and boys and what the other girls thought, all the other girls with their money and their bright sweaters in primary colors and their designer clothes. When you’re a teenager you think everyone else is better off than you, except for S. whose brother would beat her up or F. whose father didn't know he existed or N., who lied about her address, too, and had an alcoholic dad. My friends were the exceptions, but the rest of them, the money flowed like water from a tap and their parents, they might have been strict, but it was in good ways that showed they cared instead of being random like my mother. The other kids had stable parents who drove newer cars. They lived in the suburbs, not the middle of the city where the houses slammed against each other, where you knew everyone's secrets, could smell the neighbor's dinner burning.

It was a time when I joined the consumer world with its fashion and makeup and music to buy (Def Leppard morphed to Wham! and Duran Duran bled into the Dead Kennedys, the Circle Jerks, Echo and the Bunnymen) and then retreated from it. In the Little House I was stuck with the dull depression of being fifteen and separated from the world, first alone, then alone and pregnant, and then the survivor of both, still alone, and with life experiences that made me feel so, so old.

But there was beer to drink and a guy who bought it for me. He eventually came around more often, was there for real, for love. D. still lived at home, was the youngest of four in a tight family. They got together for big extended family dinners, would greet me with a hug, kiss my cheek when it was time to say goodbye. The womenfolk prepared delicious food and it always seemed like there were at least twenty people at the table, with toasts ("Proost!") and heated conversation and endless bottles of Grolsch.

I loved that family, their sheer number, their passion and personality, the safety net of so many people. In the photographs, however, I look small. Contained. A little scared, like I knew a secret that could destroy me.

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Image: Me, late December 1984, in my grandfather's yard. This was before I moved to the Little House, but I still spent most weekends and school vacations visiting. I remember this day very well, the abnormally warm temperatures, the feeling of anticipation that D. might show up that night, that he actually did show. Ah, redemption, brief and sweet.

The original prompt was a photo. You can look at it
here.

The post title is a line from a Yaz song that I listened to a lot in the Little House:
In My Room.
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