The title of this post has nothing to do with anything. It's a song by a band called Morphine, mellow with erotic undertones (to listen, click here), that makes me think of the summer of 1998, when I was in the middle of a divorce and a new romance with Mr. Trinkle, and Mr. Trinkle's mother was dying of cancer thousands of miles away and my mother was living with me in Takoma Park, having kind-of-sort-of left Kevin. I still had Loudon the dog, and Sidney and Zoe were young and acrobatic cats. The song has been going through my head and now I offer it up to you.

But that isn't the point of this post. I want to apologize for being an absent presence in the blogging world. I haven't been up to visiting or commenting on blogs. Updating this one has become increasingly time-consuming. Because of the software I use, every time I have a new post I must export the entire blog and then upload it onto a server, a process that take about half an hour or more. It isn't simple or quick. Writing the posts takes a long time, too, sometimes five or six hours. I have limited writing time and have to start pursuing freelance work. There are a few reasons for this, including the fact that my husband is about to take the equivalent of an 8% salary cut through 21 furlough days in the next year. (Ahhh, California!) I would also like to chip away at longer stories and to deepen my writing which just isn't possible in the blog format.

I'll be a more present online presence soon, one way or another. In the meantime, please don't take it personally that I haven't been by. I'm trying to be present in my own life, figuring out a way to get beyond the longing to immerse myself in deep narrative. To move beyond the longing, I have to leap in or give up. I have no intention of giving up.

Image: Rainbow in Berkeley, June 2009.

Tags: Morphine, blogging, rainbow in Berkeley, writing, storytelling, blogging break, Pets, rapidweaver, california

You think you know me.

Let’s look at the facts as revealed here: I’m a stay-at-home mom with a preschool-aged son. A former librarian, I went to culinary school and from there decided to be a writer. My family is relatively new to Northern California, having moved from the East Coast almost two years ago. I’ve told you my name. Given my birthday (oh, those worries about aging, forcing me to seek comfort on the web).

And if you’ve been here for a while, you know about the defining story of my life, the lifeless premature baby I gave birth to at home when I was sixteen.

But what do you really know?

Jennifer recovering from a late night, 1988? Or another photo to continue the ruse?

How would you feel if I was actually a 25-year-old male advertising copywriter from Peoria? What if I really lived in Buffalo, NY? Or if I was pushing 70, mother to a multitude of now middle aged children, grandmother to teenagers, a Brit using the blog to flesh out a character? This "Jennifer" person you think you've been reading could be someone I’ve been keeping in my back pocket for years. writing to survive might be some kind of grand fictional experiment, an attempt to create a flesh and bones person out of ethereal imagination.

And my stories? What if these were figments, scraps from my mind, absolute fiction masquerading as angst-ridden past? It could be that you've been reading full-blown literary lies à la Margaret B. Jones, the wannabe memoirist who made up a gangland childhood. Turns out my parents have been married for forever, I waited until marriage (or at least love) to have sex, and I’ve never touched a drop of alcohol. Oh, and that isn’t my son, he’s a nephew (never mind that I have no nephew).

Would you feel betrayed?

Don't worry. I don’t have it in me to lie like that, though you'll mainly have to take my word for it and trust your gut. There were times in high school and college when I was a serial liar, self-serving and hidden. My mother believed the stories about my solo nights, even when my boyfriend's car was parked right outside the Little House ("Oh, the car? Dirk leaves it there when he goes to the Cassady's. Sometimes he's had too much to drink, so he stays at their place for the night." "That's exactly what I thought, Jenna.") Later, I hid my unfaithfulness from my college boyfriends, created a protective distance by pursuing empty hopes with relative strangers.

Living a life of lies is a dirty business. I was becoming unrecognizable, murky, untrustworthy, a bad friend. So I stopped lying and regained a hold on fidelity. And while those old kinds of lies are no longer tempting, I still struggle with my tendency to exaggerate minor facts or to deny my feelings. Attempting to be good is a life-long process.

There is a difference between making things up to avoid punishment and creating stories to entertain. Stories aren't lies (and sometimes the lies we tell in our life stories aren't fibs either). If the blog tale is well-told, the characters believable, the created world tangible, so real you can taste it, does it matter if it actually happened? How would you know if it did?

We’re taking it all on faith in this blogging world, want to believe that everyone is who they present themselves to be. For the most part, I think people are genuine. Yes, we have plenty of time to shape our online selves, but we’re generally real. Still …

There must be bloggers, perhaps ones you read every day, who have created fiction under the guise of truth. Their blogs are ostensibly about their day to day existence, may even include some pieces of fiction or poetry or personal essay, but some of the facts have been turned inside out.

Maybe the writer doesn’t want to be identified, or is playing, having fun being someone else. The character that demanded life is finally born in a blog, fully realized, solid, interactive (the fresh-eyed college graduate moving back to her hometown; the landlocked fly fisherman reminiscing about his days of streams and trout; the tech-savvy doting grandma with an herbal tea obsession, a minor character in a SAHM's life). Or they add a totally fictional detail, erase a husband, gain a Weimaraner, make a virtual move from Asheville to Albany.

And what of it? Readers are entertained, the writer has an enthusiastic, satisfied audience. These are tenuous connections we have, the lengths of spider's silk stretching across the ether from blogger to blogger. Many of us have never even spoken. In these circumstances, does the truth matter?

I'm still trying to figure that one out.

Tags: blogging, truth, lies, fiction, faction, facts, fictional characters, trust, memoir, openness, storytelling

Photo of Gertrude Stein from Ovation TV.

I was possibly the only seven year old in the world whose mother read Gertrude Stein out loud to her. At the kitchen table Mom would puzzle through the books she checked out of the Wilmington Public Library, boring her reluctant audience of one. It became a joke between us, the dazed child resting her head on the table, lulled into submission by the tediousness of Gertrude Stein. “A cheeseburger is a cheeseburger is a cheeseburger is a cheeseburger,” I would tease Mom, and we’d laugh.

So it shouldn’t have been a surprise when she picked an Edgar Allen Poe story as a Halloween treat for two nine-year-olds. We were living in Newark, Delaware, in a one-bedroom, student family housing apartment. My friend Marie was spending the night and we did the rounds of our complex. Many neighbors didn’t expect trick or treaters, and the ones that did weren’t passing out Hersey bars or KitKats. There were several international families living there and I remember getting strange candies, sweet wafers, little trinkets.

Most people didn’t even open their doors, like the hulking single guy who now lived in my friend Belinda’s old apartment (student family housing?). Belinda had lived there with her mother and younger sister and we had spent most of the previous summer together, organizing skits in the little playground and running around the adjacent field where the University of Delaware marching band held their practices. A long scar traced the length of Belinda’s chest, the mark of two surgeries to correct a congenital heart condition. She had another round of operations scheduled in a couple of years. Though Belinda didn’t seem particularly fragile, I wanted to protect her from harm. When she and her family moved to Michigan in late August, we were both bereft and worried about dealing with new schools on our own.

I wanted to go to her apartment, stare down the guy I blamed for her move, get a little restitution Halloween candy. MaryAnn and I walked up the stairs through the dreary light of humming florescents, up one flight to Belinda's place. The strings of my Cousin It costume kept getting under my feet as they brushed against each stair. The hulk's television was on, blaring some sports event. “Trick or treat!” I yelled, pounding on the hollow metal door. No response. Marie looked at me skeptically through her Wonder Woman mask. “Let’s just go back to your place.”

Poster available from All Posters.

Maybe my mother decided to read “Murders in the Rue Morgue” to help us get over our candy haul doldrums. Perhaps she was hoping for a good, old-fashioned Halloween scare. The story, written in 1841, starts slowly (so slowly that she couldn’t have possibly started at the beginning. Even a nine-year-old raised on Gertrude Stein would have protested), but it sped up when she got to the crime scene. Two women have been brutally murdered. Here is the description of one of the corpses, courtesy of the Poe Museum:

"After a thorough investigation of every portion of the house, without farther discovery, the party made its way into a small paved yard in the rear of the building, where lay the corpse of the old lady, with her throat so entirely cut that, upon an attempt to raise her, the head fell off. The body, as well as the head, was fearfully mutilated --the former so much so as scarcely to retain any semblance of humanity. "To this horrible mystery there is not as yet, we believe, the slightest clew."

We didn't get very far through the story before Marie became hysterical. She was frightened. She wanted to go home. Finally, Mom called her parents and they picked up my friend half an hour later.

She never spent the night at my place again.

Tags: Gertude Stein, Halloween, Edgar Allen Poe, Murders in the Rue Morgue, Mom, storytelling, Delaware

I’m standing before a pool of pristine water, circling my arms through stifling summer air. The sun is a hole in the haze, a bright round portal to nowhere. Marked by its unchecked rays, my shoulders are beginning to blush, the pink deepening to red as I kneel by the pool’s edge.

Like the Bay in November, the water looks thick, as though it’s huddling against itself for warmth. I insert a hand and quickly remove it. Too cold. I straighten up, circle the pool, and try dipping a toe in the water. I can’t do it. There will be no swimming today.

Off I go to the air-conditioned house to blog about my inability to leap.

I haven’t written anything substantial for weeks. Today was a lucky day. The kid is napping as I type, a rare occurrence. I took care of a few blogging tasks, ate lunch, and decided that today was the day I would take a look at my months old short story.

This was serious stuff. I set up the laptop at my new, improved writing space. Knowing how distracting the Internet can be, I disabled our wireless connection, told myself to be strong. I opened the file with anticipation.

Every word was questionable, every description hackneyed. I circled the edge of the story, but couldn’t submerge myself. And now I sit writing a blog entry about how damn hard it is to write fiction. Hard because what is in my mind is so difficult to get on the page. Hard because I want to write layered stuff and what I’m writing at the moment seems so simplistic and clichéd. I know that that writing takes practice, but I want to be good at it. RIGHT NOW!

I could look at the bright side. I’m writing more now that I ever have. Even when I am working on a blog entry, I am still writing. When my brain is unlocked, I am capable of just letting the words flow.

Writing blog entries is easy, relatively quick, and satisfying, with almost instant positive feedback. It gives me a chance to organize my thoughts, to mine the mysterious subconscious. Sometimes that puts distracting thoughts to rest so that I am able to write about things outside of my own experience. Writing fiction (or even creative nonfiction) is more plodding and risky. But, oh, for the chance to do it well, to create something that gets beyond the walls of my own skull. Surely the benefits are worth the pain? There’s only one way to find out, and that’s to keep at it.

Beginning next week, the kid will be in school three mornings a week. I will have guaranteed, uninterrupted time to write in the daylight.

I expect mornings of glorious suffering and struggle.

That’s not too much to hope for, is it?

Tags: storytelling, fiction, wasting time, writing

Skipped my Sunday morning run. I’ve been snapping at my family. My mood is foul and it’s best to stay away from me (thank you, H, for taking C to the birthday party). I’m trying to stop my snarls, but my emotions are simmering, close to the boil.

And I’ve been trying to figure it out: why?

I am filled with untapped ideas and complex emotions. They are waiting in my mind, rapping at the walls of my skull, tugging at my brain: Give us life! Make us real! They are desperate for description, for a life on the page.

But I don’t have the language. The words aren’t coming. My subconscious is hog-tied.

If I knew the why of it all, then maybe I could fix it. So I try to feel whatever it is that I’m feeling, try not to beat myself up with what I should be doing or how I should be spending my precious moments of free time. What is the emotional component to this word clog? Which key will open the box?

One clue: I’ve been struggling with the never-ending stillbirth story. What felt complete looks like it will need a rethink, mainly based on the suggestions of a couple of shrewd readers. Their comments weren’t critical, but instead showed other paths I could take, the way it could expand even within its strict confines of time and place.

Aha. The key. My subconscious isn’t hog-tied. It’s working.

I was sixteen and living in an unheated two-room summer cottage adjacent to my grandfather's house when I became pregnant. We called the cottage the "Little House," or the "Upper Room," names taken from a children's story and the bible, symbols before the fact, names repeated in an irony-free world. This was where I lost my virginity, where I got pregnant, and where I later gave birth to a preterm baby who never took a breath.

My life in the Little House was free from supervision. It was full of lies and neglect, tears and isolation. The events leading up to and directly after the stillbirth, combined with other emotional scars from childhood, have defined how I feel about myself, have colored my interactions. I know how to keep a safe distance.

As I keep on writing that particular story, it changes. Not the facts, but the feelings. I find other ways of telling, understand how the experience that separated me can also connect. The distance falls away, I uncross my arms, open my heart and mind.

I sometimes, however, ignore the darker emotions of neglect and anger associated with that event, wash them away in a wave of sympathy for my under-equipped parents. I don't know how to feel the feelings, to give them voice, without directing blame. Is it possible to forgive but still be angry? My writing turns into a mincing dance around the unspeakable.

The story is worth the work. But I also want it out of my head, done.

The feelings need time. They will out.

Tags: existential angst, storytelling, teen pregnancy, forgiveness, writing, the stillbirth

In retrospect, the story lacked muscle tone. It had no structure. I couldn’t build a sound narrative, but kept on getting distracted by a warp in the wood, by plans for an addition, suddenly fascinated by trees off in the distance. None of the boards were true.

I tried to tackle it again a couple of nights ago, started a post about the drawn-out death of Kevin, my mother’s long-term boyfriend. There was his actual end, a very long day in the hospice, waiting as his lungs and heart slowly gave out, waiting for that last long sigh, and the prelude to the end, six months of hospitalization, the horror of it all.

And what about the back story? Or the story before the back story? I couldn’t determine what was important, when to stop my tortured, embarrassed typing. It was overwhelming. The process became a story on its own, a tale of tale-telling gone mad. I canned my original account and the post, though it is still worth writing, provided I create a sound framework.

Good short stories require limits, a set period of time, a riff on one theme or maybe two. Limits create the freedom to explore something in depth, to stop glossing over and really, finally, maybe start get to the bottom of things, to make a stab at the truth.

And so it goes with the stillbirth story, the thing I’ve been working on for a year now. In the process of writing and rewriting it, I’ve been working through the feelings, airing out my tamped-down grief and omnipresent guilt. So I dragged the last 23 years through the mud. When I tried to tie it to the present, give it a neat resolution in my sweet adult life, the story fell apart. It wasn't a story, but a timeline with representative examples.

I needed to do this. Writing it out, the long version and short version, the angry words, and the passages full of self-recrimination, was necessary. The words weren't wasted, but the piece did not transcend.

Then -- a thought: limit the story's timeframe to two weeks, to the just before and the right after. And no initial perfectionism: keep on typing, let my subconscious do its thing. I would clean it up later.

There it was, a story. No pat endings, no struggles to reach peace in 2400 words. The limits freed me.

Tags: storytelling

I'm up early this morning, enjoying a leisurely cup of coffee before anyone else is awake, cherishing my time alone, time to think before the day begins in earnest, before I have to answer to the needs of the kid.

When I started this blog in late December of last year, I wasn't in a good place. All the things I've been writing about since then were burbling just below the surface, barely suppressed, waiting to be given form and shaped into a story. I used a pseudonym -- Anonmomous -- and wrote pretty freely about my angst at the time, my desperation, the stifled creativity that I blamed on my daily mundane existence mixed in with a childhood hangover.

I had no creative outlet, but a strong desire to write and figured that starting a blog would force me to do it on a regular basis. Maybe I would find others out there like me, or attract an audience (even an audience of one would have been wonderful). But nobody reads a blog if they don't know about it. I started using my real first name, joined blogcatalog, and things started to look up.

Most of my early posts are gone, but I recently found an interesting one from right before I "came out." I've reproduced it below.

Thanks to Geoffrey for asking some questions that got me thinking about the early days and how the process of self-expression has actually changed the story I've created for myself.

I also have to thank The Fearless Blog for her kind profile of writing to survive, and her words of encouragement. As usual, she got me thinking about how a positive attitude can change the equation entirely.

Manufacturing interest
18 February 2008

As I was thinking about whether I would post tonight, not sure if I had anything to say, I decided I would manufacture something of interest to write about: the manufacturing of interest in what I am writing here.

I have no idea how you arrived at this blog, whether you find it entertaining, or relevant, or worth five minutes of your time. I could probably come out of the closet, quit being anonymous, and invite people I know to read it, or at the very least passively put up the address in my facebook profile and e-mail signature. Perhaps then the blog would spread like a benevolent virus across cyberspace, e-mailed here and there: you simply HAVE to read this.

Would more people read? Maybe. Would it affect what I write here? Most definitely. In a good way? I am not sure. Currently, I can write corny or stupid or revealing stuff here without worrying about hurting anyone's feelings or worrying about looking corny or stupid. I would probably remove anything non-writing related, which may be the cleaner and kinder way to go. I still have much mulling to do on the topic.

H and I took advantage of our holiday Monday babysitter to go into the city. We wandered around North Beach, did some vintage shopping, had lunch. We ended up at City Lights and I was suddenly overwhelmed by all that fiction, non-fiction, poetry, ecology, etc etc, titles and authors I have never heard of and will probably never read.

What a crazy idea it is to write when there are so many talented people out there who can barely sell a book.

But I can't worry about that now, can I?

Tags: writing, secrets, storytelling

I've never thought of myself as a good storyteller. Getting the sequence of events in the right order, building the proper tension -- I can't do it out loud. Maybe it's a self-confidence problem, or it's my ever-present worry about getting things wrong or saying something horribly offensive (that's a childhood hangover right there), but piecing together a narrative is real work for me, work that I can't do with an audience. Trapped in an ice of anxiety, my imagination retreats and my mouth ceases to work properly.

Then my son started asking for stories before bed. Yes, my internal editor even made an appearance here. I had to thaw my mind, to stop caring about being bad at storytelling. Of course, he is a very receptive audience, a three-year-old with a love of the surreal. He throws out an idea and I run with it, with a little input when necessary (fun fact: did you know that monsters eat pears?).

It's freeing and satisfying, this flow of connected silliness with just a touch of plot. Good practice for writing.

If only he would fall asleep after the story. Perhaps I should be more boring.

Tags: sleep, storytelling