All that jazz, Part II
I’m sure it was an oversight when Dieter neglected to give us an invitation to his jazz party. We had been out of town the previous week. Perhaps a strong wind had blown the slip of paper off our porch. Maybe Dieter, Jr. had inadvertently skipped our mailbox.
I watched from our upstairs bedroom as a small tent went up. Thinking back to Angelica’s mention of the party, I imagined flinging open the gate between the two yards. The hordes would spill in, clutching Coronas and Aquafinas, swaying to saxophone solos and smashing our sepia grass into the dirt.

Our landlord and Dieter were tight, friends from when
she lived in our house. The fence contains two
remnants of their relationship: a double-doored gate
connecting the yards and a 2x2-foot window. The
thick, beveled glass offers a view of birch and
bamboo, visual access to the back corner of Dieter’s
world. It's a sideways glance, no eye contact
necessary, thank goodness. The gate came with a shiny
new padlock. We’ve never bothered to remove the key,
so there it dangles, a symbol of hope gone sour, of
potentials never realized.
I was thinking about our poor neighborly relations --
where did we go wrong? -- when the dog nosed me in
the thigh. Oh yeah. Time for a walk. I put my son in
the back carrier, leashed Nora, and walked out into
frenetic Birdland preparations. The Neighbornator
family was bringing in more foodstuffs. I put on my
friendly face.
“You’re coming tomorrow?” Dieter asked, his tone
light. As we passed his dog, Nora growled and lunged,
putting on her vicious cur act. She’s insecure and
totally harmless, though you’d never know from her
bark. I pulled on the leash. "Nora! No!" My son
buried his face in my back. Dieter observed our
little drama with a poker face.
With Nora subdued, I got back to the conversation.
“Coming?” I asked blankly.
He seemed surprised. “I gave you an invitation! Are
you sure? Didn’t we talk about this? It must have
been your husband. Ja, that’s it! I talked to your
husband about it a few weeks ago.”
I shook my head. Nein.
“I am sure I talked to him about it. Ja, I remember
... Oh," he interrupted himself, realizing the
futility of this line of thought. "Ja. There will be
music of all kinds! It starts at 1:00 and goes on all
day. Invite all your friends!” Dieter was a little
flustered.
I tried to be nice about it, to muster up a smile or
some polite enthusiasm. We had just gotten back from
a trip to the East Coast. Everyone was jet-lagged and
sleep-deprived. My husband and I were in the middle
of a marital mess. Given I could hear this man’s
dinner conversation, what would an all-day jazz party
sound like? An all-day jazz party that started at my
son's nap time?
Saturday, September 29th 2007 was a beautiful day. The sky
was cloudless and the air dry and warm. A light
breeze ruffled the leaves in the trees, a pleasant
sound, easy on the ears. At 10:30 a.m., in a yard
hemmed in on all sides by houses, in a yard of
perhaps 500 square feet, in a yard next door, it
started. “Testing, testing, 1-2-3.” Someone was
testing a microphone. Attached to an amplifier.
Attached to speakers.
We were doomed.
At 1:00 p.m. sharp the warm-up act started. Gospel.
This was followed by a traditional jazz quartet. At
some point a pianist pounded out some classical music
(was that Dieter's son? The one who kept on
butchering "Ain't No Mountain High Enough"? If so, he
had improved.) Then an R&B band took the stage,
followed by a nod to Thelonius Monk.
During the intermissions, my husband and I would look
at each other: was this it? But it kept on keeping
on. The pauses were just long enough for equipment
changes. We watched as vans pulled up and spilled out
musicians and instrument cases, the next group on the
marquee getting in line. We listened for the
appreciative applause at the end of each solo. We
looked up the Berkeley city code on amplified music.
Dieter was well over his four hour limit.
From our backyard, the music was loud. Very, very
loud. No wonder Dieter didn’t understand most of what
I said: he was probably half-deaf from years of noise
exposure, Pete Townshend without the guitar. The
animals were agitated. Nora paced back and forth
until she found refuge in the bathroom, while the
cats would scratch at the back door to be let out,
only to rush back into the house with flattened ears
and disgusted expressions. My son skipped his nap.
And the bands kept on coming.
Our last escape from the wall of sound was at 8:30
p.m.. Hoping to gain back sanity lost, hoping that
our son would finally fall asleep, we went for a
drive up in the hills. No one said a word as the car
wound up steep inclines, pushed through
eucalyptus-scented air to a quiet, dark place with a
view. It was a surprisingly clear night and we could
see San Francisco. We watched lines of cars snake
across the Bay Bridge, felt wonderfully insulated
from the sounds of engines and car horns, saxophones
and vocalists. Our son was asleep. Time to go home.
Surely the whole mess was over by now.
But it wasn't.
It seems funny now, funny that we came home to a
Mexican band singing La Bamba, complete with horn
section and what sounded like clog dancing. It was
the most raucous gig of the day. It was almost 11
p.m. When would the madness end?
And then it just ended. As the song wound down, the
crowd whistled and stomped, screamed for an encore.
Ten hours of incredible music, well-performed,
well-appreciated, and very loud, and they wanted
more. It was not to be. Jazz Fest 2007 was over.
The hordes slowly dispersed. We brushed our teeth and
went to bed.
For several months, we barely looked at Dieter, whom
we christened The Neighbornator. We didn't confront
and he didn't apologize. There were no arguments
about the event or the noise level, just bitten
tongues and imagined amusing scenarios, all with the
self-centered surgeon as an object of ridicule, his
accent exaggerated and his mannerisms cartoonish.
We've gotten some good laughs out of it.
For Jazz Fest 2008, we'll be out of town.





