All that jazz, Part II
I’m sure it was an oversight when Dieter neglected to give us an invitation to his jazz party. We had been out of town the previous week. Perhaps a strong wind had blown the slip of paper off our porch. Maybe Dieter, Jr. had inadvertently skipped our mailbox.
I watched from our upstairs bedroom as a small tent went up. Thinking back to Angelica’s mention of the party, I imagined flinging open the gate between the two yards. The hordes would spill in, clutching Coronas and Aquafinas, swaying to saxophone solos and smashing our sepia grass into the dirt.

Our landlord and Dieter were tight, friends
from when she lived in our house. The fence
contains two remnants of their relationship:
a double-doored gate connecting the yards and
a 2x2-foot window. The thick, beveled glass
offers a view of birch and bamboo, visual
access to the back corner of Dieter’s world.
It's a sideways glance, no eye contact
necessary, thank goodness. The gate came with
a shiny new padlock. We’ve never bothered to
remove the key, so there it dangles, a symbol
of hope gone sour, of potentials never
realized.
I was thinking about our poor neighborly
relations -- where did we go wrong? -- when
the dog nosed me in the thigh. Oh yeah. Time
for a walk. I put my son in the back carrier,
leashed Nora, and walked out into frenetic
Birdland preparations. The Neighbornator
family was bringing in more foodstuffs. I put
on my friendly face.
“You’re coming tomorrow?” Dieter asked, his
tone light. As we passed his dog, Nora
growled and lunged, putting on her vicious
cur act. She’s insecure and totally harmless,
though you’d never know from her bark. I
pulled on the leash. "Nora! No!" My son
buried his face in my back. Dieter observed
our little drama with a poker face.
With Nora subdued, I got back to the
conversation. “Coming?” I asked blankly.
He seemed surprised. “I gave you an
invitation! Are you sure? Didn’t we talk
about this? It must have been your husband.
Ja, that’s it! I talked to your husband about
it a few weeks ago.”
I shook my head. Nein.
“I am sure I talked to him about it. Ja, I
remember ... Oh," he interrupted himself,
realizing the futility of this line of
thought. "Ja. There will be music of all
kinds! It starts at 1:00 and goes on all day.
Invite all your friends!” Dieter was a little
flustered.
I tried to be nice about it, to muster up a
smile or some polite enthusiasm. We had just
gotten back from a trip to the East Coast.
Everyone was jet-lagged and sleep-deprived.
My husband and I were in the middle of a
marital mess. Given I could hear this man’s
dinner conversation, what would an all-day
jazz party sound like? An all-day jazz party
that started at my son's nap time?
Saturday, September 29th 2007 was a beautiful day.
The sky was cloudless and the air dry and
warm. A light breeze ruffled the leaves in
the trees, a pleasant sound, easy on the
ears. At 10:30 a.m., in a yard hemmed in on
all sides by houses, in a yard of perhaps 500
square feet, in a yard next door, it started.
“Testing, testing, 1-2-3.” Someone was
testing a microphone. Attached to an
amplifier. Attached to speakers.
We were doomed.
At 1:00 p.m. sharp the warm-up act started.
Gospel. This was followed by a traditional
jazz quartet. At some point a pianist pounded
out some classical music (was that Dieter's
son? The one who kept on butchering "Ain't No
Mountain High Enough"? If so, he had
improved.) Then an R&B band took the
stage, followed by a nod to Thelonius Monk.
During the intermissions, my husband and I
would look at each other: was this it? But it
kept on keeping on. The pauses were just long
enough for equipment changes. We watched as
vans pulled up and spilled out musicians and
instrument cases, the next group on the
marquee getting in line. We listened for the
appreciative applause at the end of each
solo. We looked up the Berkeley city code on
amplified music. Dieter was well over his
four hour limit.
From our backyard, the music was loud. Very,
very loud. No wonder Dieter didn’t understand
most of what I said: he was probably
half-deaf from years of noise exposure, Pete
Townshend without the guitar. The animals
were agitated. Nora paced back and forth
until she found refuge in the bathroom, while
the cats would scratch at the back door to be
let out, only to rush back into the house
with flattened ears and disgusted
expressions. My son skipped his nap. And the
bands kept on coming.
Our last escape from the wall of sound was at
8:30 p.m.. Hoping to gain back sanity lost,
hoping that our son would finally fall
asleep, we went for a drive up in the hills.
No one said a word as the car wound up steep
inclines, pushed through eucalyptus-scented
air to a quiet, dark place with a view. It
was a surprisingly clear night and we could
see San Francisco. We watched lines of cars
snake across the Bay Bridge, felt wonderfully
insulated from the sounds of engines and car
horns, saxophones and vocalists. Our son was
asleep. Time to go home. Surely the whole
mess was over by now.
But it wasn't.
It seems funny now, funny that we came home
to a Mexican band singing La Bamba, complete
with horn section and what sounded like clog
dancing. It was the most raucous gig of the
day. It was almost 11 p.m. When would the
madness end?
And then it just ended. As the song wound
down, the crowd whistled and stomped,
screamed for an encore. Ten hours of
incredible music, well-performed,
well-appreciated, and very loud, and they
wanted more. It was not to be. Jazz Fest 2007
was over.
The hordes slowly dispersed. We brushed our
teeth and went to bed.
For several months, we barely looked at
Dieter, whom we christened The Neighbornator.
We didn't confront and he didn't apologize.
There were no arguments about the event or
the noise level, just bitten tongues and
imagined amusing scenarios, all with the
self-centered surgeon as an object of
ridicule, his accent exaggerated and his
mannerisms cartoonish. We've gotten some good
laughs out of it.
For Jazz Fest 2008, we'll be out of
town.



