writing to survive
unknotting the past and remaking the present one story at a time

Artifacts

Man putting cassette tape into his forehead
The mixtapes are artifacts from the late 1980s, when I still had a cassette tape player and was obsessed with music out of the mainstream, with the artists I found in British magazines like ZigZag, Blitz, and The Face. I bought records based on articles or picked them up after browsing the record store bins. If a band name struck me as being angry or witty or out there, I'd buy their records without having any idea how they sounded, which is how I ended up with a strange collection that included Sigue Sigue Sputnik, the Red Hot Chili Peppers, and a compilation album from the London club Batcave called Young Limbs and Numb Hymns.

But these tapes don't necessarily show that part of my musical history. They contain shared memories or were meant as part of my musical education. I've held on to them because I hold on to everything, old letters and pictures, ephemera from boys long gone. I hold on to people in my mind, too, keep them close and safe, warm in the glow of a shared past.

In no particular order, here are three samples:

The relationship mourning tape

1980s mix tape
The break-up tape from a sad D with songs from our relationship and songs about the future we would not share, with the added benefit of an R.E.M. album in its entirety, a musical taste he picked up from his new girlfriend (who became his wife, who became his ex-wife; I know her from 4-H camp, among other things. She has returned to my world via the magic of Facebook and sometimes we write to each other about D and his magical family.). I'm not too embarrassed to admit that he recorded the Van Halen song Finish What Ya Started twice in a row because I liked it that much.


The this is music you need to know about tape

sc00061116 Mix tape

Part of my musical education, a tape made for me by a Hollywood Beach regular, M, who was about seven years older than me and had a plethora of albums from the sixties onward. This was my first exposure to the Velvet Underground. It still has the best version of Jimi Hendrix's Little Wing that I've ever heard (and haven't been able to find anywhere else). Sometimes I track down Heartbreaker's Beach Party on YouTube because I want to remember M and the Hollywood Beach crowd, the beach bonfires, the alcohol, kind M hanging out in the background.


The college friendship tape

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This mixtape is from freshman year in college, made for my roommate Martha and me by fellow Third Floor Nerd Floor resident Kitty Hill. Kitty lasted at our small liberal arts college for a year before going back to Cincinnati (and that is her real name: I'd love to find her). I lasted slightly more than a year and Martha finally graduated a few years behind schedule. I'm attached to this tape less because of the music than because of the fleetingness of the time it represents, that brief strange period I had in the dorms. My memories of Kitty include her drinking Purple Jesuses (grape Kool-Aid and vodka) and singing Unhappy Birthday on her birthday and the spring 1988 trip we took to Annapolis in Imran's crumbling Mazda RX-7 to see the Navy boys.

If I were to represent my current life in a mixtape, I'm afraid it would be high on the melodrama. That's where my emotional musical tastes lie at the moment, in songs that can coax the feelings out of me. I do better when I can cry about something else, something unrelated to the present, like a memory from 25 years ago or a song about someone else's pain.

I'll spare you the drama. Let's start with something fluffy and light, danceable, a nice accompaniment to a glass of white wine or sparkling water, that 80s classic,
Things Can Only Get Better (thanks, Kitty).

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Top image: Keep it in Mind, a clip from ZigZag magazine that used to be on the wall of the Little House. I regret tossing the old issues away.

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