Away from here

We kept on digging that night, pushed through
soil rich and dark, encountered earthworms as
long as Joe’s middle finger. He had a trowel
and I had a pick-axe, but most of the time we
used our hands, took off our gloves and did
the dirty work directly.
Nobody had told the little one about what had
really happened to Tristan. I mean, he knew
he was sick and saw the old cat collapse on
the kitchen floor, heard the pained meow. He
saw me cry and hyperventilate and gather
calming forces, but we couldn’t bear to tell
him what was happening, what would happen. He
hadn't known loss and I swore he wouldn't,
not until I was old and sinewy, not until
Joe's alcohol-pickled mind had gone south and
his hands were blurry with the shakes. I had
seen enough of loss myself by age eight,
learned early to keep a tenuous hold on other
people. My boy, he could remain untouched.
There wasn’t time or money for the vet, so
Joe lifted up Tristan's lank body, bony at
the spine but swollen around the belly,
carried him off into the back yard. I tossed
him a kitchen towel still wet from the dish
rack. The boy, always his father's shadow,
made for the door, but I knelt down and
blocked him with a hug. "Tris needs a little
privacy, that's all. It's like at the
doctor's office. Daddy's giving him medical
attention. Why don't we read a book?" We got
through two stories when Joe finally came
back in, eyes red, the towel clinging to his
fingers. "Tristan's ready to see you, kid,"
Joe told him. I sent the two of them out
there alone.
Joe told me later that Tris hadn't put up a
fuss. He and the kitty had sat together by
the corner of bamboo that Tris loved to hide
in, where all you could see in the thick
stalks was a pair of shimmering green eyes,
maybe the hint of white whiskers. Joe had
professed his love while the cat panted,
glassy-eyed. Then, a little business with the
damp towel. Tristan had even rested a paw on
Joe's trembling hand. It was true mercy, over
in a few heart-breaking minutes. Before he
came back into the house, Joe had shaped him
into a comfortable round, pressed his thumb
gently against each eye to close it.
He told the boy that it looked like Tristan
was taking a little rest now, sleeping off
his fit. “Give him a quick pat like a good
boy.”
That seemed reckless to me, letting the boy
touch him. Didn't Joe remember the heavy
quality of dead flesh? Once the heart stops,
it's like petting wax. But the boy didn't
seem to notice, came in dancing and told me
Tris was better, was sleeping.
That’s how we ended up at Strawberry Creek
Park, looking like grave robbers, sifting
through the dirt in the dark, Tristan in a
Teva shoebox tied with butcher’s twine. Fog
had blotted out the moon and the damp had
sunk into my bones, made me drop the
flashlight more than once. Mid-dig, a mama
raccoon and her kits peered at us out from
the bushes, rustled the leaves with interest.
Joe tossed a trowelful of dirt at them. "Git!
Git! This isn't a midnight snack." They
shambled off in the direction of the creek,
looking like hunchbacked cats themselves, all
the fur with none of the grace.
A half-hour later, we had a hole two feet
deep and just wide enough to jam the Teva box
into. Tristan's stiffened body shifted as we
pushed him into the hole, hit the sides of
the box. I hadn't looked at him since the
collapse, but suddenly I had the urge. I made
Joe cut the twine so that I could shine in
the flashlight and take a final look, could
stroke the tips of his fine orange fur.
The next morning we told the boy that Tristan
must have taken off, shimmied through a hole
in the fence, or through some miracle of will
had scaled the nine-foot planks and taken off
for a better place. He put his little hand in
mine and asked, "Is he OK, mama?" There was
only one way to answer it: Tristan was fine,
perfect, whole.
Maybe he’s sitting on a rock by the Bay now,
eyeing the ground squirrels, dipping a paw
into the cold water as he searches for fish.
Or he’s stalking a bird in a field of waving
grass, tail quietly twitching before the
final pounce. Tristan is somewhere out there,
away from here.
This was from a writing
prompt last summer: write about something you
don't want to write about. I didn't want to
write about our cat's
death, at least not directly,
so I wrote this instead. It seems to fit
the theme around here these days. It was
originally three paragraphs with very
little spelled out, but as I expanded it
the details it became more gruesome. Not
sure what I think of it, but here it is.
Thanks to rcb for the advice to slow down.
This one's slower than usual at least!
Image: Strawberry Creek, by
Edwin
Deakin, from
Berkeley Architectural
Heritage Association.



