Marked by heavy hands

This is the sensory soup of
childhood. It is a mix of family and location, of bad
luck and lucky streaks. We continue the pattern with
our own children, begin the silent lessons, mark them
with heavy hands: this is who you are, who we are.
Whenever my son smells oatmeal pancakes or plucks a
plump blueberry from a glass bowl, the past will
live. "You Are My Sunshine" will conjure up a
darkened room, my soothing cuddle against impertinent
wakefulness. He may spend years in therapy trying to
get my voice out of his head, only to find that same
voice coming out of his mouth in middle adulthood.
I can only hope that his experience is as painless as
growing up can be. Sometimes my best won’t be good
enough.
I remember being seven, lying on that flowered couch
in my grandparents’ family room, my hand sunk into a
plastic bag full of cherries. Cold from the
manufactured air, goose-pimpled, I clutched a pillow
for warmth. The television, which was as much a piece
of furniture as an entertainment device, was showing
Fred Astaire and Ginger Rogers in Top Hat.
That night I would have another asthma attack,
whether it was because of mildew, cat hair, cigarette
smoke, or my own melodramatic emotions is up for
debate.
Image: Me and my grandmother, Hollywood
Beach, 1973.





