The cold cold ground
We took Zoe to the vet yesterday and sat with her while the drugs did their work. Then we brought her home and buried her in the backyard. Later, we will get a marker, maybe plant a tree. When I woke up this morning, I thought: now we can never leave this place. Because she is here.
When Kevin announced that he wanted to be buried, it seemed bizarre. In the ground? Smothered under dirt and grass and rock? In the end, we did it. Half of Kevin's ashes were buried in an urn in a cemetery in Chestertown, the same cemetery that my friends and I used to cut through freshman year in college to go to 25-cent draft night at Newt’s. My mother spent the first two years after Kevin's death driving every weekend from the Washington, DC suburbs to his grave, bringing Woody the dog along until Woody got lymphoma and died. Gradually she visited less and less until her trips tapered to one or two a year.
The tapering was bound to happen. Time changes grief, makes it less of a physical ache than an emotional one. Talking to the air can be as satisfying as a graveside monologue. Kevin wanted his little plot of land and he got it, with a stone that my mother dragged out of the woods and a beat-up concrete angel propped next to it. When we want to visit, he’s there. Except, of course, he’s not.
My husband dug the hole yesterday morning. He dug it deep, struggled to cut through cloying clay. We looked at Zoe one last time, touched her soft fur, and told her we loved her before rewrapping her body and lowering it into the grave. I tossed in the first shovelful of earth. It's a strange sensation to cover a body with dirt. It feels wrong or maybe stark, a jarring acknowledgement of death. The towel still contained her warmth. She was alive an hour before we buried her. Surely this was a mistake.
Eventually what is left of Zoe return to the earth. She will live on in our memories and in our stories. The cats we have now will grow old with us. Their time will come. I'll be dust myself some day, my ashes tossed to the wind or scattered into the water, or perhaps sitting in an urn on a mantel or a closet shelf, waiting to be forgotten.
A tribue to Zoe-cat

My first husband and I were newly married and had just bought a house. The realtor’s partner’s daughter had found this malnourished, Giardia-ridden kitten in a German Village alleyway. Once the kitten was done with her medications, would we like to take her in? We already had a cat, Sidney, and a sheltie dog, Loudon. But our new house was big and Mr. X and I had both grown up with animals and we were reveling in domesticity. So a month after we moved in, Zoe moved in too.
Her first night with us was not auspicious. She hid in the litterbox, growling and crying while Sidney lurked silently outside. Eventually she came out and showed her true assertive nature, but those first days of intimidation marked their relationship. She preferred the laps of humans to feline company.
Zoe has remained kitten-sized. In her early and middle years, she was actually somewhat zaftig. Rubenesque. In the past year and half or so, she has gotten heartbreakingly skinny. Her fur goes unwashed and she spends much of her time asleep. Her kidneys are failing. Her mind wanders. She is not the cat she used to be.
So here’s to Zoe, the cat who used to trill every time she leapt, the kitty who convinced us that she couldn’t jump up to her food bowl but who later scaled our 8-foot fence, not once, but twice, the tiny powerhouse who had to be subdued at the vet’s office for any procedure. Zoe who confidently crawled around the cab of the pick-up truck while Mr. X drove from Ohio to Washington, DC and Sidney mewled in terror from his carrier. Zoe who braved the long flight from DC to San Francisco. Zoe, the cat who used to perch herself up to bat at my dental floss every night.
It is time to let her go.

Tomorrow morning she will join the others,
among them cats Regis, Sheba,
Frank,
Liz, Ming, Nicky and Sidney, and dogs Greta,
Buttons, Barney, Samantha,
Louise,
Augie, Woody, and Loudon. I’ll ask myself
again why we do this, why we take in animals
who will be with us for such a short time.
It’s about love. Love comes with the threat,
the almost-guarantee, of loss and we take it
on anyway, hoping that the sadness won't
outweigh the joy.
Image: Top, Zoe in her
rounder days. Bottom, Zoe in her kitten
days.
A tale of necessary sadness, in two acts

Act I
Something is going on with
me. I’m sleeping terribly, cry at nothing.
Last night at dinner my son asked for another
Dress Me Monkey story: “What else would Dress
Me Monkey do?” This is our cue to come up
with some fantastical new tale about how the
toy would spend the proceeds from treasure he
never manages to steal. I said the first
thing that came to my mind, that Dress Me
Monkey wishes he could go back in time to the
nights when he ate with his mother and father
and they told Dress Me Human stories. "His
parents are far away now, and Dress Me Monkey
misses those days. He would like to go back
for a meal or two."
The dinner had been a difficult one, with the
kid complaining about his food and telling me
how the refried beans on his homemade nachos
looked like dirt, like something worms would
eat. I'd spent a lot of the day fighting my
initial crabby responses to his normal kid
behavior. I was tired. My past has been
coming back and poking me lately, spilling
out, and meals are one of those difficult
times for me. So I came up with a Dress Me
Monkey story that fit my mood, inappropriate
though the story might have been.
"Why did Dress Me Monkey want to have dinner
with his parents again, like he was a little
monkey?" the boy asked.
“Because everybody wants that,” my husband
said and started to cry. The boy was
concerned and snuggled up close to his dad.
We explained that Daddy was crying partially
because he misses his mother, who has been
dead for twelve years, but that also
sometimes adults miss the past, the sweet
simplicity of the family table. Then it was
my turn to cry, because my childhood
mealtimes were mainly horrible. The emotional
tenor of my those dinners depended on my
mother's mood and the man she was dating. She
had only three boyfriends over the course of
my childhood, but each of them had their own
issues, would make me stand at the table or
wouldn't talk when I was there or would pull
me apart, show my every flaw. When the last
one, Kevin, came along I ended up eating
dinner alone most of the time.
So. I want my family meals to be happy. Full
of love. The food I prepare is part of that
love and I try hard not to force the boy to
eat things he doesn't like, which is why he
eats macaroni and cheese almost every night.
Last night the meal was something he has
eaten before, but it didn't appeal to him and
the whole situation got to me.
I know that his rejection of my food is not a
rejection of me, but sometimes I still have
that visceral reaction, that and "You have no
idea how good you have it, little boy." And I
get angry at myself for thinking such a
thing. He doesn't "need" to know that. He
needs to grow up secure and happy and loved,
without the burdens of my childhood thrust
upon him. But right now the past is spilling
out of me, surprising me with its emotional
abundance. It can be overwhelming.
Last night, as I was getting him to sleep, he
asked about our day. This rundown of our
daily activities is a bedtime ritual.
Sometimes I learn more about what happened at
school or we go deeper an earlier discussion.
When I got to the dinner portion of my
synopsis, I apologized for the weirdness of
it and asked if he had any questions. "Why
did you tell a sad Dress Me Monkey story?"
was the first.
The real answer was because I am sad right
now. I am processing something deep and
fetid, airing out emotions that don’t easily
surface. I’m not sure why it's happening and
while I don’t like the effects – waking up in
the middle of the night or too damn early,
occasionally scaring my child, being cranky
and sleepy all day – I think what I’m going
through is necessary. What I told him was
that when I was little mealtimes weren't
always happy times and I was feeling sad
about it during dinner. And then we moved on
to why Daddy cried at the dinner
table.
Act II
It happened again last
night, the two a.m. alarm clock. I woke up
sad, obsessed with an aborted friendship.
After a good cry -- quiet, intense -- into my
pillow, I went into the boy's room to read
and hopefully return to sleep. (He had
already migrated into our bed.) When sleep
finally snuck up on me, I had a complicated
dream. In it, my husband's family was
visiting (though, in typical dream style, an
old boyfriend of mine showed up, too, looking
very much like a middle-aged Eastern Shore
type, with a baseball cap, greying beard, and
a beer belly). It was a surprise visit. I
hadn't had a chance to clean and I was
ashamed at how the house looked and angry
with my husband for springing them on me.
My dream self went stomping off into the
night. Our oldest cat, Zoe, fifteen years old
now and a sack of bones, dotty, constantly
hungry, followed me. We wandered frenetic
city streets, joined the rush of humanity. In
one square, mimes performed acrobatic feats
and played with fire. The glow of a neon sign
drew me into a murky bar. The next thing I
remember, Zoe and I were walking home. A
rainstorm had blasted through the city and
scrubbed away the people, leaving behind damp
sidewalks and oil-slick puddles that
reflected the shimmer of streetlights. It was
spooky, the kind of emptiness where you
expect to hear an echo of footsteps behind
you. Zoe, frightened by a stray cat, fell
behind.
One minute I could see her, the next she was
gone. I screamed her name over and over
again. I used the dinnertime call:
Zo-Zo-Zo-Zo-Zo. And then I opened my eyes,
totally awake, feeling the responsibility,
feeling the loss.
But at least I was feeling something.
Image: Asher with Nick's
shadow. Zoe has asked not to be photographed
for the blog. She's an old-fashioned sort who
values her privacy, though her name
actually is
Zoe.
She also agreed
that this photo was the best fit for the
post.
Does it seem like my past is always spilling
out? Maybe here. This is different though,
like I'm working through something big. I
sometimes discount the effects of my
childhood and often think I should be over it
by now. But it's not so simple, is
it?
Cat from the past
Away from here

We kept on digging that night, pushed through
soil rich and dark, encountered earthworms as
long as Joe’s middle finger. He had a trowel
and I had a pick-axe, but most of the time we
used our hands, took off our gloves and did
the dirty work directly.
Nobody had told the little one about what had
really happened to Tristan. I mean, he knew
he was sick and saw the old cat collapse on
the kitchen floor, heard the pained meow. He
saw me cry and hyperventilate and gather
calming forces, but we couldn’t bear to tell
him what was happening, what would happen. He
hadn't known loss and I swore he wouldn't,
not until I was old and sinewy, not until
Joe's alcohol-pickled mind had gone south and
his hands were blurry with the shakes. I had
seen enough of loss myself by age eight,
learned early to keep a tenuous hold on other
people. My boy, he could remain untouched.
There wasn’t time or money for the vet, so
Joe lifted up Tristan's lank body, bony at
the spine but swollen around the belly,
carried him off into the back yard. I tossed
him a kitchen towel still wet from the dish
rack. The boy, always his father's shadow,
made for the door, but I knelt down and
blocked him with a hug. "Tris needs a little
privacy, that's all. It's like at the
doctor's office. Daddy's giving him medical
attention. Why don't we read a book?" We got
through two stories when Joe finally came
back in, eyes red, the towel clinging to his
fingers. "Tristan's ready to see you, kid,"
Joe told him. I sent the two of them out
there alone.
Joe told me later that Tris hadn't put up a
fuss. He and the kitty had sat together by
the corner of bamboo that Tris loved to hide
in, where all you could see in the thick
stalks was a pair of shimmering green eyes,
maybe the hint of white whiskers. Joe had
professed his love while the cat panted,
glassy-eyed. Then, a little business with the
damp towel. Tristan had even rested a paw on
Joe's trembling hand. It was true mercy, over
in a few heart-breaking minutes. Before he
came back into the house, Joe had shaped him
into a comfortable round, pressed his thumb
gently against each eye to close it.
He told the boy that it looked like Tristan
was taking a little rest now, sleeping off
his fit. “Give him a quick pat like a good
boy.”
That seemed reckless to me, letting the boy
touch him. Didn't Joe remember the heavy
quality of dead flesh? Once the heart stops,
it's like petting wax. But the boy didn't
seem to notice, came in dancing and told me
Tris was better, was sleeping.
That’s how we ended up at Strawberry Creek
Park, looking like grave robbers, sifting
through the dirt in the dark, Tristan in a
Teva shoebox tied with butcher’s twine. Fog
had blotted out the moon and the damp had
sunk into my bones, made me drop the
flashlight more than once. Mid-dig, a mama
raccoon and her kits peered at us out from
the bushes, rustled the leaves with interest.
Joe tossed a trowelful of dirt at them. "Git!
Git! This isn't a midnight snack." They
shambled off in the direction of the creek,
looking like hunchbacked cats themselves, all
the fur with none of the grace.
A half-hour later, we had a hole two feet
deep and just wide enough to jam the Teva box
into. Tristan's stiffened body shifted as we
pushed him into the hole, hit the sides of
the box. I hadn't looked at him since the
collapse, but suddenly I had the urge. I made
Joe cut the twine so that I could shine in
the flashlight and take a final look, could
stroke the tips of his fine orange fur.
The next morning we told the boy that Tristan
must have taken off, shimmied through a hole
in the fence, or through some miracle of will
had scaled the nine-foot planks and taken off
for a better place. He put his little hand in
mine and asked, "Is he OK, mama?" There was
only one way to answer it: Tristan was fine,
perfect, whole.
Maybe he’s sitting on a rock by the Bay now,
eyeing the ground squirrels, dipping a paw
into the cold water as he searches for fish.
Or he’s stalking a bird in a field of waving
grass, tail quietly twitching before the
final pounce. Tristan is somewhere out there,
away from here.
This was from a writing
prompt last summer: write about something you
don't want to write about. I didn't want to
write about our cat's
death, at least not directly,
so I wrote this instead. It seems to fit
the theme around here these days. It was
originally three paragraphs with very
little spelled out, but as I expanded it
the details it became more gruesome. Not
sure what I think of it, but here it is.
Thanks to rcb for the advice to slow down.
This one's slower than usual at least!
Image: Strawberry Creek, by
Edwin
Deakin, from
Berkeley Architectural
Heritage Association.
New blood

Nick’s existential angst or blood lust, take
your pick, has taken the form of 2:00 a.m.
howling. He’s the loudest cat I’ve ever
known, full of throaty confidence and the
ability to project, the kind of cat depicted
in old-time cartoons, sitting on the fence
yowling as neighbors hurl shoes. He’s an
opera singer belting out a sad little tune,
“Let me out!” or “I must kill!”
It must seem like a cruel joke when we get
out the cat fishing line, the feathers
attached to a stick. As I whip them around
the bedroom, the feathers turn and beat
through the air as though they were birds'
wings. Like all cats, Nick has an active
imagination and allows himself to be taken in
for a few minutes. He hustles and jumps,
takes a very strong cat arm and pins the
fluorescent feathers to the carpet in one
swipe. The feathers crunch and crumble as
Nick snaps his jaws against them, tries to
carry his prize downstairs.
I am actually tempted to let him out – it
feels cruel to keep him from something he
loves and clearly knows well. My other cats
have all been indoor-only from the beginning
so they didn’t know what they were missing.
But I know that it isn’t a safe world out
there and we signed a contract saying that
his paws would never touch dirt or concrete
sidewalks again.
Perhaps it’s time to take in a budgie or two,
a little something to make life more
interesting for our 2:00 a.m.
howler.
A crumb

But first, a preface to the crumb.
I haven't been here lately. My son is out of
school until after Labor Day and we've had a
series of pet-related good things and bad
things. Cat dying: bad. Adopting a kitten and
a new adult cat: good. Nora the dog passing a
pea-sized bladder stone at the Emergency Vet:
bad, though it could have been much worse.
Attempting to dissolve remaining stones
through antibiotics and diet: good, though if
it doesn't work she will still need surgery.
Me giving Nora cranberry extract pills with
xylitol in them: potentially very bad,
since xylitol can be
fatal in small doses to
dogs. Nora surviving xylitol
exposure unscathed: amazingly, wonderfully
good.
In between pet-things and kid-things, I'm
still taking the Round Robin, a writing
prompt-based class. So here is a crumb for
those of you who are still reading this blog,
from the prompt I
remember.
I
remember that her fingers were thickened by
arthritis, were scattered with freckles.
Helen’s nails were coffee-stain yellow,
bitten down to the quick, and she kept
fumbling at the wedding ring on the fine
silver chain around her neck.
I looked at her hands because it was easier
than looking into her eyes, or letting my
gaze drift to her useless foot in its bright
blue stocking. Sometimes after a visit I’d
look at my own hands and realize that time is
written on our hands the fastest of all.
Already my knuckles are puckering in
idiosyncratic ways and the backs are
beginning to resemble the uneven surface of a
barren planet, ropy with rocky veins and
hairline fracture wrinkles.
Helen wasn’t a worker. The hardest work her
hands had seen was the kneading of whole
grain bread dough, maybe a bit of digging in
the garden. She’d cracked open books, propped
them up, her thumb and pinky keeping them
open. Me, though, I’d scrapped carcasses in
the field, held up splintery boards with the
meat of one palm while I grasped a hammer in
the other. Some jobs we worked all winter
long, if we were lucky inside, but we weren’t
always lucky.
I read a book once about men working on a
tower, applying mortar and making repairs in
the ice and slush of January. They were
suspended from ropes attached to scaffolding,
wore gloves with the fingers cut out as a
symbolic act. Their hands were gouged and
scuffed, palms smoothed by rough passes over
granite, life and work written on the
body.
Image: The kid, pretending
to be a cat, because we don't have any good
pictures of our actual cats being actual
cats. Yes, he is holding an egg mold, which
is this fictional cat's weapon of choice. It
makes him fly or it's a bomb or he shoots it
or something.
Writing prompt: The visitors
Image from promotional materials for 2005
animated film,
Kontrol Eskape.
Daniel came with a backpack full of canned
cat food and Max, a fluffy grey tabby
artfully splotched with patches of orange, on
a leash. As he kissed my cheek, his
toothbrush nudged me in the chest. It was
tucked into his front shirt pocket alongside
a container of floss and a ballpoint pen. He
had a change of clothes in the car and had
packed a tent, too, just in case.
“I don’t know how long I’ll be staying,” was
the first thing out of his mouth. Max,
unleashed, threaded my legs and dashed into
the living room. Later we found a small disc
of cat urine on the floor by the ficus, Max’s
lament, his only accident.
I made a crimini mushroom omelet with
muenster cheese and served it with a side of
crisp potatoes roasted with whole shallots
and rosemary sprigs. When Dan emerged from
the bathroom, freshly showered, he opened a
bottle of Pinot. We sat in eating in silence
until the second glass, when he rolled up his
left sleeve and showed me the marks, a neat
imprint of fingers wrapped around bicep.
“Eric’s at it again.”
His boyfriend was a brute, a nasty sort who
was attractive if you didn’t know his back
story, didn’t know he was a sweet manipulator
that could turn maniacal. Daniel turned and
lifted his shirt, revealing an archipelago of
bruises on his lower back, a long bloodied
scratch across his spine. He never had a mark
above the clavicle or below the groin: Eric
was strictly covert.
“I forgot to take out the recycling.”
Suppressing a sigh, I reached for his hand,
tamping down my guilty urge to blame the
victim, give him a hard time for sticking
around with beautiful Eric, the work
acquaintance I’d set him up with. Eric of the
deceivingly kind brown eyes and silken hands,
of the long fingers of bendable steel and the
high-pitched staccato laugh, a machine-gun
guffaw that was as hairtrigger as his rage. I
didn’t want to know about it, didn’t want to
provide sympathetic catharsis.
“I forgot to take out the recycling, so he
dragged me to the bin.”
“I’m so sorry, Daniel.”
A story of kicks by wingtip, recycling
carefully sorted and dutifully delivered to
the curb, Daniel’s attempts to keep his
expression flat and his apologies genuine –
Eric wanted simple obedience and sincere
contrition, not a melodramatic man-beating
scene. Last time it was about dry cleaning,
though neither of us can remember whether the
issue was overstarching (Eric has very
sensitive skin) or Daniel’s forgetfulness,
the shirts that weren’t picked up in time for
the conference.
“He’s so . . . quiet about it, have I told
you that? He doesn’t yell or scream. But his
face is terrifying, Janine. It looks like
it’s going to collapse on itself. Someday his
brow will fold into his mouth and he will
reveal himself to be the alien I know he is.
Max always runs under the guest bed before
anything happens. He’s my early warning
system.”
Daniel took off his glasses and rubbed his
eyes. I knew tonight wasn’t going to be the
beginning of his redemption story, just
another painful, repetitive chapter, the time
before the revelation. He would be back there
maybe even tonight. The reunions were the
best part of this, weren’t they? Max would
stay with me this time and I would stay out
of it.
I
leaned back and grabbed another bottle of
wine from the rack.
What haven't I told you?
I let
the first
U.S. punk compilation
slip out of
my hands. Album cover from
Rate Your Music.
Jean of
Jean’s
Musings – a lovely blog that I
recommend highly – has passed a meme my
way, a request to list five things that
you might not know about me. Given how
much I’ve revealed here, that’s a tall
order, but I think I can dredge up some
obscure facts.
*I once had a Secret
security
clearance. The think tank I
worked for did a lot of work for the
defense department and the library was
responsible for the classified document
collection. Getting the clearance was
nerve-wracking, as was the proximity to
potential national secrets. It was a
relief to leave it behind.
*Although we do have a television, I don't
watch it (this despite the fact that we've
had mysterious cable access in our last two
houses).
*Punk music was the soundtrack of my life for
a long time. I knew my now-husband was a good
match after we watched a movie that included
the song Viva Las Vegas. As we were leaving
the theater I told him “Every time I hear
that song I …” He finished the sentence,
“think of the Dead
Kennedys version?” That’s right.
Ahh, love.
*I got my license at 25 (or was that 26?),
but I don’t
drive. You wouldn’t want me
to. Trust me.
*Despite a lifelong allergy to cats, I have
never lived without at least one kitty,
except for a brief pet-free period in college
and graduate school. They are worth the
asthma, the itchy eyes, the mounds of
tissues.
An extra fact: I’ve got some recipes in the
Nov/Dec issue of Vegetarian
Times, along with a short
profile in the contributers column. Go to
your newsstand or local library and take a
look. I'll be putting up more information
on the Food
Writing section eventually.
If you have your own five facts, I'd love to
read them.
And for your listening pleasure, Viva Las
Vegas!



