Away from here

strawberrycreek


We kept on digging that night, pushed through soil rich and dark, encountered earthworms as long as Joe’s middle finger. He had a trowel and I had a pick-axe, but most of the time we used our hands, took off our gloves and did the dirty work directly.

Nobody had told the little one about what had really happened to Tristan. I mean, he knew he was sick and saw the old cat collapse on the kitchen floor, heard the pained meow. He saw me cry and hyperventilate and gather calming forces, but we couldn’t bear to tell him what was happening, what would happen. He hadn't known loss and I swore he wouldn't, not until I was old and sinewy, not until Joe's alcohol-pickled mind had gone south and his hands were blurry with the shakes. I had seen enough of loss myself by age eight, learned early to keep a tenuous hold on other people. My boy, he could remain untouched.

There wasn’t time or money for the vet, so Joe lifted up Tristan's lank body, bony at the spine but swollen around the belly, carried him off into the back yard. I tossed him a kitchen towel still wet from the dish rack. The boy, always his father's shadow, made for the door, but I knelt down and blocked him with a hug. "Tris needs a little privacy, that's all. It's like at the doctor's office. Daddy's giving him medical attention. Why don't we read a book?" We got through two stories when Joe finally came back in, eyes red, the towel clinging to his fingers. "Tristan's ready to see you, kid," Joe told him. I sent the two of them out there alone.

Joe told me later that Tris hadn't put up a fuss. He and the kitty had sat together by the corner of bamboo that Tris loved to hide in, where all you could see in the thick stalks was a pair of shimmering green eyes, maybe the hint of white whiskers. Joe had professed his love while the cat panted, glassy-eyed. Then, a little business with the damp towel. Tristan had even rested a paw on Joe's trembling hand. It was true mercy, over in a few heart-breaking minutes. Before he came back into the house, Joe had shaped him into a comfortable round, pressed his thumb gently against each eye to close it.

He told the boy that it looked like Tristan was taking a little rest now, sleeping off his fit. “Give him a quick pat like a good boy.”

That seemed reckless to me, letting the boy touch him. Didn't Joe remember the heavy quality of dead flesh? Once the heart stops, it's like petting wax. But the boy didn't seem to notice, came in dancing and told me Tris was better, was sleeping.

That’s how we ended up at Strawberry Creek Park, looking like grave robbers, sifting through the dirt in the dark, Tristan in a Teva shoebox tied with butcher’s twine. Fog had blotted out the moon and the damp had sunk into my bones, made me drop the flashlight more than once. Mid-dig, a mama raccoon and her kits peered at us out from the bushes, rustled the leaves with interest. Joe tossed a trowelful of dirt at them. "Git! Git! This isn't a midnight snack." They shambled off in the direction of the creek, looking like hunchbacked cats themselves, all the fur with none of the grace.

A half-hour later, we had a hole two feet deep and just wide enough to jam the Teva box into. Tristan's stiffened body shifted as we pushed him into the hole, hit the sides of the box. I hadn't looked at him since the collapse, but suddenly I had the urge. I made Joe cut the twine so that I could shine in the flashlight and take a final look, could stroke the tips of his fine orange fur.

The next morning we told the boy that Tristan must have taken off, shimmied through a hole in the fence, or through some miracle of will had scaled the nine-foot planks and taken off for a better place. He put his little hand in mine and asked, "Is he OK, mama?" There was only one way to answer it: Tristan was fine, perfect, whole.

Maybe he’s sitting on a rock by the Bay now, eyeing the ground squirrels, dipping a paw into the cold water as he searches for fish. Or he’s stalking a bird in a field of waving grass, tail quietly twitching before the final pounce. Tristan is somewhere out there, away from here.


This was from a writing prompt last summer: write about something you don't want to write about. I didn't want to write about our cat's death, at least not directly, so I wrote this instead. It seems to fit the theme around here these days. It was originally three paragraphs with very little spelled out, but as I expanded it the details it became more gruesome. Not sure what I think of it, but here it is.

Thanks to rcb for the advice to slow down. This one's slower than usual at least!

Image: Strawberry Creek, by
Edwin Deakin, from Berkeley Architectural Heritage Association.

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New blood

One theory is that Nick suffers from existential angst, though I personally think he misses the stalking and the killing. He got out by mistake a few weeks ago, pushed his way through an unlatched back door in the early morning hours, and has not let us forget his gleeful four hours of freedom. Nick is too sweet to have been a born-and-bred street cat but I can tell that he’s spent a lot of time outdoors, probably even before the Island Cat Rescue Association volunteer found him in East Oakland with an abscess at the base of his tail. He wants to be out in the grass, wants to hide in a thicket of bamboo. He misses the crunch of hollow bird bones, the gaminess of mouse flesh.

nickposter


Nick’s existential angst or blood lust, take your pick, has taken the form of 2:00 a.m. howling. He’s the loudest cat I’ve ever known, full of throaty confidence and the ability to project, the kind of cat depicted in old-time cartoons, sitting on the fence yowling as neighbors hurl shoes. He’s an opera singer belting out a sad little tune, “Let me out!” or “I must kill!”

It must seem like a cruel joke when we get out the cat fishing line, the feathers attached to a stick. As I whip them around the bedroom, the feathers turn and beat through the air as though they were birds' wings. Like all cats, Nick has an active imagination and allows himself to be taken in for a few minutes. He hustles and jumps, takes a very strong cat arm and pins the fluorescent feathers to the carpet in one swipe. The feathers crunch and crumble as Nick snaps his jaws against them, tries to carry his prize downstairs.

I am actually tempted to let him out – it feels cruel to keep him from something he loves and clearly knows well. My other cats have all been indoor-only from the beginning so they didn’t know what they were missing. But I know that it isn’t a safe world out there and we signed a contract saying that his paws would never touch dirt or concrete sidewalks again.

Perhaps it’s time to take in a budgie or two, a little something to make life more interesting for our 2:00 a.m. howler.

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A crumb

buster


But first, a preface to the crumb.

I haven't been here lately. My son is out of school until after Labor Day and we've had a series of pet-related good things and bad things. Cat dying: bad. Adopting a kitten and a new adult cat: good. Nora the dog passing a pea-sized bladder stone at the Emergency Vet: bad, though it could have been much worse. Attempting to dissolve remaining stones through antibiotics and diet: good, though if it doesn't work she will still need surgery. Me giving Nora cranberry extract pills with xylitol in them: potentially very bad, since
xylitol can be fatal in small doses to dogs. Nora surviving xylitol exposure unscathed: amazingly, wonderfully good.

In between pet-things and kid-things, I'm still taking the Round Robin, a writing prompt-based class. So here is a crumb for those of you who are still reading this blog, from the prompt
I remember.

I remember that her fingers were thickened by arthritis, were scattered with freckles. Helen’s nails were coffee-stain yellow, bitten down to the quick, and she kept fumbling at the wedding ring on the fine silver chain around her neck.

I looked at her hands because it was easier than looking into her eyes, or letting my gaze drift to her useless foot in its bright blue stocking. Sometimes after a visit I’d look at my own hands and realize that time is written on our hands the fastest of all. Already my knuckles are puckering in idiosyncratic ways and the backs are beginning to resemble the uneven surface of a barren planet, ropy with rocky veins and hairline fracture wrinkles.

Helen wasn’t a worker. The hardest work her hands had seen was the kneading of whole grain bread dough, maybe a bit of digging in the garden. She’d cracked open books, propped them up, her thumb and pinky keeping them open. Me, though, I’d scrapped carcasses in the field, held up splintery boards with the meat of one palm while I grasped a hammer in the other. Some jobs we worked all winter long, if we were lucky inside, but we weren’t always lucky.

I read a book once about men working on a tower, applying mortar and making repairs in the ice and slush of January. They were suspended from ropes attached to scaffolding, wore gloves with the fingers cut out as a symbolic act. Their hands were gouged and scuffed, palms smoothed by rough passes over granite, life and work written on the body.


Image: The kid, pretending to be a cat, because we don't have any good pictures of our actual cats being actual cats. Yes, he is holding an egg mold, which is this fictional cat's weapon of choice. It makes him fly or it's a bomb or he shoots it or something.

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Writing prompt: The visitors

kontroleskape
Image from promotional materials for 2005 animated film, Kontrol Eskape.


Daniel came with a backpack full of canned cat food and Max, a fluffy grey tabby artfully splotched with patches of orange, on a leash. As he kissed my cheek, his toothbrush nudged me in the chest. It was tucked into his front shirt pocket alongside a container of floss and a ballpoint pen. He had a change of clothes in the car and had packed a tent, too, just in case.

“I don’t know how long I’ll be staying,” was the first thing out of his mouth. Max, unleashed, threaded my legs and dashed into the living room. Later we found a small disc of cat urine on the floor by the ficus, Max’s lament, his only accident.

I made a crimini mushroom omelet with muenster cheese and served it with a side of crisp potatoes roasted with whole shallots and rosemary sprigs. When Dan emerged from the bathroom, freshly showered, he opened a bottle of Pinot. We sat in eating in silence until the second glass, when he rolled up his left sleeve and showed me the marks, a neat imprint of fingers wrapped around bicep.

“Eric’s at it again.”

His boyfriend was a brute, a nasty sort who was attractive if you didn’t know his back story, didn’t know he was a sweet manipulator that could turn maniacal. Daniel turned and lifted his shirt, revealing an archipelago of bruises on his lower back, a long bloodied scratch across his spine. He never had a mark above the clavicle or below the groin: Eric was strictly covert.

“I forgot to take out the recycling.”

Suppressing a sigh, I reached for his hand, tamping down my guilty urge to blame the victim, give him a hard time for sticking around with beautiful Eric, the work acquaintance I’d set him up with. Eric of the deceivingly kind brown eyes and silken hands, of the long fingers of bendable steel and the high-pitched staccato laugh, a machine-gun guffaw that was as hairtrigger as his rage. I didn’t want to know about it, didn’t want to provide sympathetic catharsis.

“I forgot to take out the recycling, so he dragged me to the bin.”

“I’m so sorry, Daniel.”

A story of kicks by wingtip, recycling carefully sorted and dutifully delivered to the curb, Daniel’s attempts to keep his expression flat and his apologies genuine – Eric wanted simple obedience and sincere contrition, not a melodramatic man-beating scene. Last time it was about dry cleaning, though neither of us can remember whether the issue was overstarching (Eric has very sensitive skin) or Daniel’s forgetfulness, the shirts that weren’t picked up in time for the conference.

“He’s so . . . quiet about it, have I told you that? He doesn’t yell or scream. But his face is terrifying, Janine. It looks like it’s going to collapse on itself. Someday his brow will fold into his mouth and he will reveal himself to be the alien I know he is. Max always runs under the guest bed before anything happens. He’s my early warning system.”

Daniel took off his glasses and rubbed his eyes. I knew tonight wasn’t going to be the beginning of his redemption story, just another painful, repetitive chapter, the time before the revelation. He would be back there maybe even tonight. The reunions were the best part of this, weren’t they? Max would stay with me this time and I would stay out of it.

I leaned back and grabbed another bottle of wine from the rack.

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What haven't I told you?

eatjellybeans
I let the first U.S. punk compilation slip out of my hands. Album cover from Rate Your Music.


Jean of Jean’s Musings – a lovely blog that I recommend highly – has passed a meme my way, a request to list five things that you might not know about me. Given how much I’ve revealed here, that’s a tall order, but I think I can dredge up some obscure facts.

*I once had a
Secret security clearance. The think tank I worked for did a lot of work for the defense department and the library was responsible for the classified document collection. Getting the clearance was nerve-wracking, as was the proximity to potential national secrets. It was a relief to leave it behind.

*Although we do have a television, I don't watch it (this despite the fact that we've had mysterious cable access in our last two houses).

*Punk music was the soundtrack of my life for a long time. I knew my now-husband was a good match after we watched a movie that included the song Viva Las Vegas. As we were leaving the theater I told him “Every time I hear that song I …” He finished the sentence, “think of the
Dead Kennedys version?” That’s right. Ahh, love.

*I got my license at 25 (or was that 26?), but
I don’t drive. You wouldn’t want me to. Trust me.

*Despite a lifelong allergy to cats, I have never lived without at least one kitty, except for a brief pet-free period in college and graduate school. They are worth the asthma, the itchy eyes, the mounds of tissues.

An extra fact: I’ve got some recipes in the Nov/Dec issue of
Vegetarian Times, along with a short profile in the contributers column. Go to your newsstand or local library and take a look. I'll be putting up more information on the Food Writing section eventually.

If you have your own five facts, I'd love to read them.

And for your listening pleasure, Viva Las Vegas!


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