Two ways of looking at it

I wish I could explain the
importance of the notebook. It’s one of those old
black and white composition books, barely held
together by 45-year old glue and stitching, the edges
of the pages the color of dead oak leaves, cured by
time. An artifact, a little piece of Kevin,
half-filled with poems of late adolescence, poems
that he probably wrote in his senior year of high
school. They are short and generally angry, each one
typewritten and stapled or taped to the front of a
page.
If I could explain the importance of the notebook,
maybe I could explain the importance of Kevin. How
can someone who tried to destroy me, who battered my
mother emotionally, be so key to who I am? Kevin was
extraordinary. I’ve never met anyone like him, a man
who pushed himself out of a childhood of emotional
and physical abuse and formed a self out of will and
ashes. He was a poet, a self-taught carpenter, a
working class intellectual. In the midst of
fatal
illness,
he completed his dissertation and received a PhD.
He was also so wickedly funny that my mother and I
still laugh when we remember his stories and
jokes.
Kevin sometimes ripped us to shreds with that
knife-like wit. He was an active participant in the
neglect that led to my pregnancy at sixteen. Whenever
he saw hypocrisy or hidden motive – which was often –
he skewered the hypocrite, uncloaked the motive. His
ability to see the darkness in himself and others
never took into account the overwhelming goodness we
each have, the lightness that makes up most of who we
are.
I have a lot of empathy for him, whose cruelty and
black math was caused by a childhood of pain and
anger, but it probably helps that he is off stage
now, six years dead. It was a long and painful exit.
Kevin didn’t deserve to suffer, to be hospitalized
for six months, to have his body whittled down to 80
skeletal pounds. He didn’t deserve to lose his
ability to swallow and sometimes to breathe
unassisted. No one deserves what happened to Kevin.
But that time of suffering was also a time to make
peace. I was at the hospital for hours almost every
day, there for both him and my mother, keeping
company, being a second set of eyes to make sure no
mistakes were made. I was there for comfort.
It gave me a chance to prove my humanity, to show
that we all have the ability to be good. Even him.
Even me.
Sometimes I still believe it. But writing that
paragraph about how I benefited from Kevin’s
suffering leaves me with a dirty feeling, as though I
relished the opportunity to be redeemed through his
pain. It wasn’t like that. I was there because I
wanted to be, couldn’t imagine being anywhere else.

Kevin’s final day stretched and
stretched from early morning into late afternoon. A
small group of family gathered in his hospice room
and listened to him wind down, heard the silent
spaces grow between each breath, watched his heart
flutter out from under his ribcage. Outside,
daffodils were pushing through once-frozen ground and
the forsythia was in bloom. The world was coming to
life again as we sat and waited for death.
It came with a dramatic final exhale followed by dead
quiet. The dog broke the silence with a bark, my
mother reached for me and Kevin’s son, held us and
cried. Mom later said she felt Kevin’s energy leave
his body, had an image of him walking along a river
path against a cloudless sky, his old collie Augie by
his side. When Kevin's brother thanked me for my
presence, I said, "I'm so glad we had this time," and
immediately regretted it. What was I saying? Those
six months of dying were great? What a wonderful
opportunity for me?
That night I woke up after midnight to the pressure
of Kevin’s hand on mine, a grateful and loving
presence. Don’t be hard on yourself. You
were there for me. Thank you.
Then he was gone.
Two
Ways of Looking at It
Kevin Sheehan (Knife Gift)
The magician, who is about to perform,
is wearing a suit which belongs to
his father. No one is supposed to know
that he is not his father. His first
trick, which involves some
simple sleight-of-hand, is well-received.
he bows, and the suit collapses.
And what if I would not grow up,
would not perform
the necessary murder. So what.
Was it any of your business?
I chose to be the child, hurt
and unhurting, but my body,
my beauty, betrayed me.
Writing prompt: Its dark and secret heart
Mom-mom,
1934.
My obsession with ghosts started in the sixth grade,
though it had its roots in my grandmother’s death two
years earlier. We were in the kitchen, putting
groceries away when she suddenly clutched at her
throat and started gasping for air, frantically
motioning to the kitchen chair. I stood there,
confused, scared. Finally, I moved the cat, and
Mom-mom collapsed into the empty space.
It was up to me to dial 911. We waited 40 minutes for
the ambulance to come all the way from Elkton. She
was dead or close to it by the time it arrived.
Congestive heart failure. In a couple of weeks, my
mother, her boyfriend, and I moved in with my
grandfather and tried to cope with her absence and
our new living situation.
I’m not sure where the Ouija board
came from. Maybe it was a Christmas present. I
started carrying it around with me, taking it to
school, begging my friends to help me contact my
grandmother. They went along with it and I believed
everything. Mom-mom had a friend named Sam up there
in heaven. Everything was all right, and she was
watching over me.

My mother took the death chair out of the kitchen,
eventually storing it in the attic space over the
garage. I was into sleeping in tight spaces, under
picnic tables, in tiny tents I set up in the
backyard. One night I convinced my best friend to
spend the night in the attic with the chair. The
space was hot and smelled of cut wood and roofing
tar. I kept staring at the empty chair, waiting for
my grandmother to appear.
Over the years, through neglect and hard times, I
kept on waiting. When, as a teenager, I moved to the
Little House adjacent to my grandfather’s place and
felt totally alone, I wished for a sign of her
presence, a sign that someone was watching over me.
Now I know that such hopes are false.





