I feel it. I name it. I let it go.
So it might surprise you that one quarter through that first margarita we started fighting. We don't fight often these days, and when we do it's usually quite civil. This was an old-style fight with incredulous looks and just-caught nastiness. Each of us thought the other was clueless, wasn't listening, was going off on some crazy tangent. Ultimately, we pulled it back together, reached a deeper understanding, but for fifteen tense minutes, I fought the urge to run out of the restaurant into the cold rain. I fought the urge to be by myself and pretend that it was better this way, to live without risk, to be warmed only by my own intellect and senses.
Yes, here they are again.
My parents after their wedding, June 1969,
staring off into the misty future. It's too
late now ...
Earlier that day, my mother
and I had been talking about trust and
infidelity. I explained how how I learned
some time ago that to trust in others blindly
is foolish because no one is perfect. Other
people can let you down, not out of cruelty,
but because they are human and bound to make
mistakes. If you expect perfection or total
fidelity, you may end up very disappointed,
so why not keep an open mind about it? Not to
expect to be let down, but to not let
yourself get crushed if it happens?
The words had come out with more vitriol and
less clarity than I felt. I sounded angry,
specifically with my husband, and Mom asked
me if he knew I was so angry. Strange. I
didn't feel angry. But there Mr. Trinkle and
I were in Fonda a few hours later, raising
our voices. For the last half of the fight,
I'd been dabbing at my eyes with the corner
of my cloth napkin, trying to hold back the
tears. It felt like I'd been willing them not
to fall for weeks, maybe months, while I kept
the rest of life together. When it was over,
when we reached détente,
the tears came out, along with
the sudden understanding that this whole
thing was all about my
mother. Or maybe it wasn't that
simple. It was also all about my
father. And let's not forget to
point a finger at the dissertation and the
feelings it stirred up in its death throes.
That thing was once used as a wedge, a
separator, an agent of my perceived
rejection. The diss is dead and buried now.
It hadn't been an issue for years. What could
I hold against a corpse?
Here is my mother, more present than I ever
remember. There is no demanding, angry Kevin,
no Baltimore petty criminal heroin addict
boyfriend, no personal life drama to get in
the way. When Mr. Trinkle and I left the East
Coast, the addict was the center of her life.
Interacting with her then felt like a
continual rejection, an extension of the
loneliness of childhood, though I see now
that that the rejection has never been
personal. In the past two and a half years,
she's changed her life. The addict is now on
the periphery, no longer the center of her
world. There is no drama. She is here, flawed
but available. I have just enough safe space
for the anger to emerge. It's wordless, this
anger, and scared, too, rage coupled with
fear. I know she is capable of turning on me,
of causing great pain, of making me wish I
never existed. Or at least that's how it used
to be.
Here is my husband, present and loving. The
days of avoidance by dissertation are long
over, but I remember them, remember how
neatly our neuroses fit together, his
reluctance dovetailing with my grasping need
for absolute acceptance, with the tests and
the tantrums, the nastiness and tossed
objects. We have a history, a time when I
felt very rejected, unloveable, and even
though we've talked the hell out of it, there
are still those tight corners in our
relationship that remind me.
Combine my mother's visit with the completion
of the dissertation and those deep feelings
of unworthiness rise up. They poke and prod.
I want to run out in the rain and be alone
forever. I want to ball up my fists and
shadowbox in the cold attic. I want to be
invisible, the observer who cannot be
observed. An old self-protective voice
whispers if you let them get too
close, they could destroy you. Keep your
distance. But this is not the only
way to see things. I have choices.
Now the struggle to be present, to be in the
moment, is mine. If I don't give all of
myself over, if I hold back, I don't risk
absolute rejection. It used to be that I
would test the ones who loved me, would stamp
my feet and pepper every fight with threats
to leave. These days I hide under a carapace
of calm. I hold it together and when I do
break, I tend to downplay my vulnerability. I
maintain a friendly facade, a protective
attitude. Intimacy equals risk. Oh, it's easy
with you, reader. We have geographical
distance and thick words to separate us. The
pull of the everyday, the undertow of the
mundane, doesn't come between us. We can
pretend for a few minutes that we are
intimates, reach an understanding without
touch, and then return to our real lives
unscathed.
Already all of this is changing for me. By
the time my thoughts get to you, I'm working
them out, naming the feelings, articulating
them so I can put them away. One of the
reasons this blog was so important to my
recovery process (I call it a recovery
process because I don’t know what else to
call it) is because it gave me a place to
name my fears, to articulate my ugliness in a
relatively risk-free environment. Still,
there are risks. When I find out that someone
I know in real life or from my past has read
the blog, I feel a panicked thrill – they
know! (Depending on how far they've read, of
course. They may know very little.) And then
my stomach sinks and I feel a different sort
of panic. I'm afraid of being judged for the
things I've done, for those I've scraped up
along the way. But I also worry that they
will read and think: She deserved it. They
will wonder about the intrinsic evil in me,
about the horrible things I must have done to
cause my family to abandon me. Rationally, I
know this is crazy. Emotionally, it makes my
heart ache.
I feel it. I name it. I let it go. But it
isn't easy.
Chiaroscuro
Look. I’m all out of words. They started drifting away from me this morning, when I woke up with the boy at six a.m. As the day continued – conversation with the visitors, trudging off to music class, trudging back, stopping at the store, fixing lunch for the visitors, making conversation with the visitors, entertaining my son, taking care of our various animals, fixing dinner, putting the exhausted child to bed, making more conversation with the visitors – the words just left.
I say I was making conversation with the visitors, but the truth is that by the end of the day I was mainly nodding and sighing sympathetically. It was all I had left. So here I am, bereft of creativity, my mind swimming with stories of thyroid nodules and nerves like tangled spiders’ webs, of early deaths and shattered psyches. What’s in store for me? Should I be so smug about my flexible back and thin, muscular legs? Should I be grateful that my mother taught me the proper way to eat? Or that I inherited her frame and general good health? Maybe I will fulfill my genetic heritage some day soon: develop an autoimmune disease, succumb to the rot of debilitating depression, start to feel my legs tingle and fret as if they were plugged into the wall.

Part II:
Resonance
OK, OK, OK, Part I was the
result yet another prompt, from a family
visit in September. It was a photo prompt
that had nothing to do with the resulting
piece. I was going through my old stuff,
looking for something, saw this, thought:
Aha! That feeling some of us get after too
much family time on Thanksgiving. Except I
haven't gone home for Thanksgiving in years,
and if I did, it would actually be wonderful
to be with my mother, though
Kevin's
absence would still be
palpable.
Sometimes I'm afraid that
you're getting the wrong impression. Maybe
you think that I sit around immersing myself
in the past, feeling sorry for myself and
penning various memorials to the me who used
to be. Or that I prefer to
dance with darkness rather than frolic in joy
and light.
I write about what resonates and I have a
complex relationship with both happiness and
the past. The past is always present for me;
it informs the present, keeps me grounded.
And it provides me with great material. Don't
even have to think about it. As for
happiness: I am capable of feeling great joy.
I'm generally happy,
except when I'm not.
The hollows,
shadowy, cold as falling snow, call to me.
Light is meaningless without darkness. I need
texture, a rough patch here and there, a
little complexity and strife to make it more
interesting.
But maybe my next post will be about puppies.
More likely about finishing NaNoWriMo. Or my
husband wrapping up his dissertation. Or
maybe it really will be about puppies, cute
little fluffballs, good enough to
eat.
Living proof at my fingertips
It was one of those
conversations that I'm tired of having, but I
couldn't seem to stop myself.
Mr. Trinkle and I were standing against the
wall at the Fox
Theater in Oakland, this
over-the-top restored venue from the late
1920s, drinking our beers and waiting for
the group Echo
and the Bunnymen to come onstage. We'd
already had a lot of laughs that would be
almost impossible to explain here (for
example, the image of us wearing cucumber
and cabbage outfits, just to find our
moment of glory in the truly ridiculous
[but very cool-sounding] Echo song
Thorn of
Crowns). Without warning my
dead son winnowed his way into the
conversation, which lead to talks of
alternate lives and then my father showed
up, too, unrepentant, demanding the old
song and dance of anger.
My father and stepmother visited us last
month, which was a truly wonderful visit, one
for which I am grateful. As a result of nerve
damage in his back, he is in constant pain
and traveling is very difficult on him, but
they made the trip and we all had a good
time. There was just one ripple in the visit,
one that I tried to ignore, in a discussion
that would have been impossible without the
blog. He found writing to
survive over a year ago and read
through it in its entirety. Eventually he
apologized via email for any pain he had
caused me, which was the extent of our
interaction on the topic. During this most
recent visit he asked "Are we ok?" meaning, I
suppose, "Is everything all right between
us?". Yes, I said, we were ok -- when he read
the blog I felt like he was listening to me.
Did he
feel like we
were ok?
Well, sure, but he wanted me to know that,
despite my accusations to the contrary,
he had
tried. I had no
idea what he was talking about, but his
response was probably to this
post,
where I write about my anger at my parents
for doing nothing when I desperately needed
help: "My mother stopped
parenting; my father never even started. They
deserve my compassion. It's no use getting
angry at those who don't see their own
worth."
It's a heavy
accusation and I stand by it. The truth
hurts. We didn't dig any deeper into that
particular pit, but our discussion bothered
me, still does, and that
was what I was
talking about in the lobby of the Fox
Theater, that and imagining my
never-to-be-24-year-old son, dressed in
skinny tapered pants and an ironic t-shirt,
angry at me for my own form of neglect, of
the fetal variety.
The band started. We hustled to our seats,
suddenly surrounded by the music that was a
part of the soundtrack of my mid-teens and I
started to cry. I sobbed through the first
three songs while Mr. Trinkle patted me
reassuringly, probably feeling bad about the
tickets, which were a birthday present. The
music transported to a bleak time in my life,
when things started really getting bad and I
was indescribably
alone. I felt
the direness of my situation at fifteen and
sixteen, combined with the beauty of my
current life. I am forty years old, married
to a good, supportive man. We have a healthy,
creative, wonderful child. My life is in
enveloped in love and warmth. How did I get
so undeservedly lucky?
Our conversation in the lobby -- the clinical
look at my father, the ghostly appearance of
my son, my guilt over that time of terrible
fear and anger -- began to make sense. No
matter how much work I've done here on
revealing secrets, writing out my pain and
anger, trying to forgive my parents, I can't
take the experience of what happened in the
Little House away. Even thinking about the
music we were about to hear brought me to the
edge of that past, to the isolation and
neglect. And my father's main reaction upon
reading this entire blog, apart from a
generic, though I'm sure heartfelt apology,
was to tell me that he tried. He has never
acknowledged any direct responsibility for
(or curiosity about) that time. I wish his
acknowledgement didn't matter. Maybe someday
it won't.
I've put so much effort into trying to
forgive the unaware that I've forgotten to
pay attention to my own grief. I still carry
around sadness for things lost, for not
mattering enough, for acknowledgment that
will never be. So I cried and cried until Ian
McCulloch started singing about vegetables.
Mr. Trinkle turned to me and raised his
eyebrows. We started to laugh.
I really am lucky.
Echo and the Bunnymen play "Silver" in
Oakland, courtesy of some fellow fan:
Image:
Living proof at my fingertips, or me and
family at Muir Woods, August 2009. Photo by
my mother.
Foundation

The story was that he and Willard were drunk
when they poured the foundation. It was a hot
day, unusual for May, and the sky was
cloud-veiled, the sun nothing but a glowing
round cloaked in grey. The men mixed the
cement by hand in a wheelbarrow, kept taking
slugs from the whiskey bottle. Vi and the
girls started out planting flowers, then
prepared a lunch of liverwurst sandwiches,
sugary potato salad, and coleslaw. Finally
all there was left to do was to sit on the
metal lawn chairs and watch.
Everything went down so easily. The cement
had a nice resistance, just yielding enough,
like Vi on a good night. It was a perfect
mix, Willard agreed, as he passed the whiskey
bottle back. Running a trowel over it was
soothing, could almost put you to sleep. Dusk
was enveloping the neighborhood as they
wrapped up. One of the girls had fallen
asleep on a blanket on the dirt, and the
other one glowered as she kicked up clouds of
dust in the rutted driveway. Al struggled
with the wheelbarrow until he decided the
hell with it, it was just a rusty piece of
shit anyway.
Vi finally had to drive everyone back to
Delaware, the men singing a song she didn’t
recognize, the girls bleary-eyed and hungry.
When they returned the next weekend, excited
to start building the cottage, Al ran his
hands across the foundation and groaned. It
didn’t take a level or a plumb line to figure
out that they had to start all over again.
Image: The house at Hollywood
Beach, August 1957.
The intersection of food, love, and memory
If it wasn't frozen,
processed, or heavily laced with sugar, my
grandmother didn't cook it. I have her old
recipe box, which includes many selections
from the "Kitchen of Duncan Hines," as well
as things like Pow-Wow Sandwiches, English
Liver Bake, and salad molds, recipes that are
products of the sixties and seventies. My
grandfather made the box, designed it to hang
between the refrigerator and the stove in the
kitchen at Hollywood Beach. We use it to hold
keys now. One of the first things I do when I
move to a new place is to hang it by the
front door, a reminder of a past so long gone
that it feels like fiction. I may look
through the recipes, but I never feel an urge
to actually make any of them.
When the corn
and tomatoes are at their peak, however, and
I steam a dozen ears to eat for dinner
alongside a salad of freshly-picked tomatoes,
I feel a tug on the line that connects me to
those long-ago meals. Corn on the cob with
butter sits at the intersection of food,
love, and memory for me. It has the power to
bring me back to a time before I was born, to
Hollywood Beach in the late fifties and early
sixties when my mother and aunt were still
children, before my grandfather was
injured in
an industrial fire. On late July and early
August evenings when my grandfather was
working late at the plant, Mom-mom could
be persuaded to abandon the freezer and
let the canned food gather dust in the
cupboard. She would prepare farmstand corn
and sliced tomatoes for dinner, maybe add
some sliced bread on the side. Perhaps she
was feeling as lazy as Ludlam's
dog, unwilling to turn on
the oven or chop loads of vegetables,
happy with simplicity.
It's the only meal she made that my mother
and I still talk about. When I was a kid, my
cousin and I were given weekend corn shucking
duty, sent outside with paper bags to do the
messy work of removing the husks and
cornsilk. We would sit on the white-washed
metal lawn chairs out front under a canopy of
maple leaves, kick our heels against the
grass. After passing the naked corn to my
aunt through the side door, we would wait for
the moment at the table when we could smear
the cooked kernels with squeezable Parkay. I
was fascinated by the prongs, shaped like
tiny ears of corn, that Mom-mom stuck into
either end of the cob, and studied them
between bites, felt the neat rows of
miniature kernels like braille against my
fingertips. We ate until we are too full for
anything else but a thin slice of tomato.
You probably have summer food memories of
your own, can bring back an evening lit by
fireflies, your lips stained purple by
blueberry cake. Your parents didn't care how
late you stayed up and you got to light a
sparkler even though the fourth of July had
been over for days. Or maybe you remember
your mother, already unsteady on her feet,
placing a platter of swaying Jello on the
picnic table. You swirled the first bite
against your gums, pushed it between your
teeth before swallowing and then refused to
eat any more. After dinner you and your
brother played tag in the dark while the
grown-ups drank bourbon on ice and talked in
voices too low for you to understand. When
you slipped in a pile of dog shit, they
laughed until you started to cry.
Image: Recipe from my
grandmother's collection.
Marked by heavy hands

This is the sensory soup of
childhood. It is a mix of family and
location, of bad luck and lucky streaks. We
continue the pattern with our own children,
begin the silent lessons, mark them with
heavy hands: this is who you are, who we are.
Whenever my son smells oatmeal pancakes or
plucks a plump blueberry from a glass bowl,
the past will live. "You Are My Sunshine"
will conjure up a darkened room, my soothing
cuddle against impertinent wakefulness. He
may spend years in therapy trying to get my
voice out of his head, only to find that same
voice coming out of his mouth in middle
adulthood.
I can only hope that his experience is as
painless as growing up can be. Sometimes my
best won’t be good enough.
I remember being seven, lying on that
flowered couch in my grandparents’ family
room, my hand sunk into a plastic bag full of
cherries. Cold from the manufactured air,
goose-pimpled, I clutched a pillow for
warmth. The television, which was as much a
piece of furniture as an entertainment
device, was showing Fred Astaire and Ginger
Rogers in Top
Hat.
That night I would have another asthma
attack, whether it was because of mildew, cat
hair, cigarette smoke, or my own melodramatic
emotions is up for debate.
Image: Me and my grandmother,
Hollywood Beach, 1973.
The time before
Maureen, hanging from a tree, 1982
We stayed after school that
day, dismantled the lice bridge and went to
the playground, squished our Docksiders
against spring-rain damp turf. The middling
March air was cool against our faces as we
ran to the swingset. In warmer weather the
game was to fling off our shoes to see who
could kick them the farthest. Today we passed
a hairbrush back and forth, hurtling through
the air on wooden seats, trying to make the
other person drop it or chicken out.
“Want to play Space Invaders? Let’s go down
to the Hole in the Wall.”
Maureen’s grandfather owned a bar by the
canal, a basement space in a building from
the late 1700s. In the afternoons it was
quiet and we were allowed to play pool or a
video game while her father got the bar ready
for business. The walk from Chesapeake City
Elementary School to the bar took us past the
funeral home, white and windowless, past
boarded up storefronts and ramshackle houses
tumbled against the sidewalk. The Eastern
Shore town was not yet thriving, was a decade
away from becoming a boutique village. We
decided against stopping at Pyle’s, a small
convenience store that sold things like Push
Pops and sticky Bubble Yum and Dixie cup ice
cream that came with a wooden spoon. There
was plenty of non-nutritious crap awaiting at
the Hole in the Wall, cheese curls and
barbecue-flavored potato chips and candy
bars. I’d get to mix the drinks, sugary
combinations of Coke, 7-Up, and orange soda
over ice. We called them “Suicides.”
The tendency – or my tendency, at least – in
writing about childhood is to make it sound
either impossibly idyllic or like a living
hell. So here is a list of the good stuff:
Hanging out on Maureen’s porch swing after
Canal Day, holding a 20-inch sparkler in full
glimmer as we watched a line of cars heading
for Route 213. Playing Atari games –
Asteroids, Adventure – while eating junk
food. Dancing around to “Flying Purple People
Eater.” Eating an entire meal without using
our hands, “like cats.” Annoying her sister
by making Three Stoogesesque snoring noises
as she was trying to get to sleep. Organizing
slumber parties with shrieking and séances
and morning-after pancakes a la James Beard.
Behind the idyll? Turmoil. Children are the
unwitting passengers in the lives of others.
Best friends only offer so much protection. I
felt like a freak, too smart and too quiet
and odd, living in an increasingly
uncomfortable situation with my mother,
grandfather, and soon-to-be stepfather. This
was the year I actively threatened suicide,
when I kept track of my thyroid and asthma
medications in preparation for an overdose.
The year I carried around an Ouija board,
desperate to get
in contact with my dead
grandmother, the year when the girl
wars were beginning and teasing about one’s
physical development or lack thereof was
common (“We must, we must, we must increase
our bust!” was the recess refrain.)
Anyone who thinks that childhood is all
carefree is delusional. Or an amnesiac.
But I didn’t kill myself and our friendship
survived my seventh grade move back to
Wilmington. Outside of the machiavellian
middle school environment , Maureen and I
became closer, with frequent overnight visits
and some very funny correspondence. She wrote
me weekly. I was so proud of her letters, of
her sense of humor, that I would bring them
into school, my address carefully blacked out
so that no one would discover that I lived
outside of the school district.
The weekend my mother told my stepfather to
pack up his things and leave, I had plans to
visit Maureen. I still went, though I was not
in the mood. Yes, Tim was
an asshole
(since reformed, apparently), but he had been
a part of our lives for eight years. We spent
holidays with his family. We needed his
income. And I hadn't seen the break coming.
What was going to happen to us?
DEATH at moment of reading! Envelope from
February 1983 letter.
I sludged through that October 1983 weekend,
trapped in a quicksand of worry. On Sunday, I
was surprised to see Tim waiting for me at
the usual rendezvous point, the Newark Howard
Johnson's. Maureen and I hugged, I waved at
her mother, and slipped into the Cutlass. Tim
and I were unaccustomed to making small talk
and there wasn't much to say. He was staying
with his parents, had hopes of repairing the
marriage, though I doubt we talked about
that. He didn't linger in front of our inner
city rowhouse and I didn't look back as I
unlocked the door.
Inside, Mom was sitting in the living room
reading with Frank the cat on her lap. She
looked up when I came in, glanced around the
room and asked "Notice anything different?"
"Sunlight."
One of the first things she had done upon
Tim's departure was to open the living room
shutters. They had been closed since our move
to the house, a bizarre cost-saving measure.
The room seemed unnaturally bright. Light
bounced off of the white walls, pooled in the
corners. Our other cat, Liz, was basking in a
patch of it. She held our a paw and trilled.
Could you get more symbolic than this,
darkness transformed by light, a closed off
room now open? A little foreshadowing, a
portent of good things to come?
House in Wilmington during the Tim
era.
Don't be so gullible, so
easily blinded by the sun. Sometimes a patch
of sunlight is just that and nothing more. An
open shutter can be closed again.
The end of the Tim era did
turn out to be
free and glorious, five months of
mother-daughter bonding. We enjoyed the
sunlight. Bought 100% orange juice and
name-brand yogurt. Mom acquired a moped and
zipped around town picking up freelance
writing work and groceries. I arranged rides
to and from games, kept up with my studying,
memorized lists of German words, puzzled over
teutonic grammar. Maureen and I continued as
best friends. For Mom's 34th birthday I got
her a card with a guy in drag made up to look
like Elizabeth Taylor: "Birthdays are like
husbands – after a while you stop counting!"
Ha Ha.
Adolescence, the process of pulling yourself
into burgeoning adulthood, shakes the
seemingly solid foundations of identity. The
sweet boy, lover of plaid shirts and belted
khakis, suddenly starts dressing in black,
from hair dye to nail polish to skirt and
shoes. The athlete takes up drugs and loses
motivation. Best friends drift apart. I
started ninth grade in pastels, a nondrinker,
a German-studying,
Duran Duran-listening cheerleader. I
finished the year close to that, too, though
internal changes were taking place in
preparation for my metamorphosis.
The shift may have happened anyway, it might
have been destiny, but I can't deny that
there was a catalyst. He moved in down the
street that spring. Kevin the poet-carpenter.
Kevin with his plumb lines and his radial
saws, with his collie and his poetry books.
My mother met him and dropped everything.
By May I was essentially on my own.
Next installments: The
Little House, demon rum, Dirk, and a
friendship that doesn't
survive.
Who are these people and what are they doing in my blog?
DATE: May 1981
OCCASION: My mother's second wedding.
LOCATION: Eastern Shore, MD.
PERSONNEL (from left to right):
Mom: Barely 31 years old. Obscuring new husband's mother.
Grandfather: Looking pleased. The bridegroom had a reputation as a good guy. Even though he had spent the year before the wedding happily unemployed, lifting weights in the Little House, and waiting for my mother to come home from work and make dinner (though perhaps this view is a little one-sided).
Me: Eleven. And a half. Wearing my mother's dress
Best friend (from ages 8 - 14): Total support. Very funny. We went from childhood to rebellious adolescence together, from dancing around her living room listening to "Goofy Gold" to sneaking cigarettes and chugging 7-oz Budweisers. I miss her.
Cousin: Seven years old. Now an Episcopal minister. I haven't seen or spoken with her since my first wedding in late 1995. Our mothers don't speak either.
Oh, and I almost forgot. Here's a better look at ...

The car: Then-stepfather's
1968 (?) Oldsmobile Cutlass, permanently
awaiting a paint job. I hated that #%*&
thing, though it did get us from Point A to
Point B.
Yeah, I've been going through my boxes of
life detritus, old photos, letters,
embarrassingly boy-crazy journals. The
process has has brought up thoughts about
friendship, loss, and connection. This
picture stuck out, less for the time and
situation (which, wonderfully, have lost
their power for me) but for the strange
posed/not posed quality of it, and for the
relationships that have slipped away.
There's the next post, though I'm not sure
where I'm going with it. And hopefully
fiction will be returning when my writing
class starts up again next month, or even
sooner if I can pull it off.
What are words for?
So here are some pictures, a little holiday filler. I'll see if I can dredge up some writing before the end of the year.
Christmas morning pteranodon, courtesy of
Uncle B.
Preparing the cioppino.
The final product.
Homemade
Mexican chocolate ice cream.
This year's inadvertent (but popular) theme:
dinosaurs.
I'll be catching up on
comments here, there, and everywhere in the
next couple of days.
Until next time ...
He sees you when you're sleeping
Family will be descending
upon our household tomorrow. I'm looking
forward to the visits (really!), but may not
be posting, commenting, or dropping many
cards until the new year.
Have a peaceful and relaxing holiday! If you
can, with that
guy staring at
you.
Inner battle
Grappling with
myself. Photo by my husband, taken from the
vast Santa collection of my father and
stepmother.
The things I am supposed to
be doing and don't want to do, the shoulds,
they sometimes control me. They become
obligations body-checked by anger. Or maybe
it’s the should nots, the tamping down of
what rises up naturally: I should not be
feeling angry. I have no right to be upset.
This is not supposed to be a blog about
current angst (except for the mundane, piles
of laundry, sick kid, dog-walking variety).
Most of the anger I carry around is the
nostalgic sort, dealing with that stuff that
happened when I was a kid, the things I can’t
change and must make right in my mind in
order to live a full life. It’s been working,
for the most part. I’m letting go.
Yes, I have complained about my current
relationships with my parents, have brought
up marital discord from the not-so-distant
past, but most of this has been in the
context of grappling with painful memories,
revealing old scars to healing light.
But I haven’t talked about my stepmother.
Part of the reason I don’t talk about my
stepmother is that she is practically a
saint. She is my father’s total champion, and
if anyone needs a champion, it’s him. My
father has treatment-resistant depression, a
condition he has been grappling with from the
time he entered college. It was because of
depression that he stopped working in his
early 40s. The man has been on many different
varieties of medication; he’s been through
research studies; he’s done electroconvulsive
therapy (ECT) and lost a chunk of his memory
in the process. Eventually the drugs lose
effectiveness, the troughs get deeper, he
stops functioning.
There are physical problems, too. Diabetes.
Obesity. Arthritis. Within the last two years
my father has developed debilitating back
pain and can barely get out the door. At the
age of 57, he is practically housebound, a
predicament he and his wife have taken on
with characteristic stoicism. Throughout it
all, my stepmother has been a rock, always
supportive, never complaining, a breadwinner,
maker of meals, and vacuumer of a four
bedroom house.
Why am I angry with this woman? Why am I
carrying around this stupid useless feeling?
Because I am invisible to her. Because when I
was pregnant with my second son, she talked
about it being my first baby (perhaps a
teenage stillbirth doesn't count). Because –
stupidly, since I really should let go of
this one, but couldn't they have waited a
week? – she got married to my father two days
before my fourteenth birthday. Because she
never even so much as e-mails on my birthday.
She has no idea why I might be feeling pain
and apparently doesn’t want to know. Perhaps
she feels she might be implicated in some
way. I don’t know.
My father loves me, but he has not been a
very good father. It's just the truth. Four
years of every other weekend visits does not
a good father make. Financial support for
one's child – which I do appreciate – doesn't
make one a good father either, though
certainly there are many absentee fathers out
there who don't even do that. He laid the
foundation for distrust early. A little
recognition of this past and his part in it
would make a huge difference. After he
read the blog, he acknowledged it in a
general way, though we've never talked about
it. But what about her?
I know she thinks I'm a bad daughter and in
many ways, I am. Phone calls sometimes go
unreturned for days. I'm late with birthday
and father's day greetings or send a lame
e-card. I put off making our travel plans to
see them and have been absent for multiple
surgeries. I avoid discussions of Christmas,
a holiday that is an obsession for them. The
guilt floods over me, paralyzing and cold,
and I feel a surge of preemptive, protective,
useless anger.
What am I supposed to do with this anger?
What do you do when you can’t talk to someone
about your feelings? How do I do the right
thing while honoring how I feel?
So many questions. Does anyone have answers?
(And when this particular angst is out of the
way, I have many awards and other kindnesses
to acknowledge. That's the next
post.)
Another existence to be denied
So there my mother and I sat, sunk into opposite ends of a comfortable couch, leaning forward to tell the social worker our feelings, sketching out my genetic profile. We filled out reams of forms, information about family health problems, questions about my diet, my drug and alcohol use.
Who knew what mysterious weaknesses I might be carrying? My father’s side of the family had endocrine problems, heart disease, diabetes and a tendency toward dark moods. When the veil of depression fell, some family members took to alcohol or other substances with an addict’s zeal. An affinity for darkness and a desire, a need, to obliterate myself in its face are part of my hardwiring.
What about my maternal lineage? My mother’s family history was a big blank, an open field where the quality of the soil and provenance of the plant life was a mystery. Like my biological grandmother and my mother before me, I had gotten knocked up young and out of wedlock. Only my mother had chosen to marry, to keep me in the fold. This predilection for teen motherhood, the easy and careless ways of our womenfolk – did that count against me?
Adoption was a closed affair when my mother was born. In 1950, the presumption was that a “chosen baby” would grow up satisfied, would never want to know the story of her beginnings. The privacy of the birth parents was paramount. Mom, however, did want to know and set out in adulthood to find her birth mother. Through a third party the woman revealed the depth of her silence: she hadn’t spoken about her first child at all, even keeping the secret from her husband and subsequent children. She wanted no further contact, no dramatic revelation, no recognition of reunion. When pressed on the name of the birth father, she was especially vehement. She would “never, never tell.” It stung.
In private, we speculated, joked about the freedom bought by ignorance. Her missing history provided a unique vantage, a way to step outside of the American obsession with ancestry. We could build a story about her origins outside of the confines of family fact, but the story never got very far. Polish or German? (My orthodontist, after assessing her facial structure, was pushing for Polish.) Catholic or Protestant? (Well, she did seem to have a thing for Catholic guys.)
To imagine too much seemed self-delusional. Of course, her parents might have been love-struck, two highly intelligent beauties who consummated their love after much deliberation in a sacred act of commitment and rebellion. Imagining what could be the truth – sex forced upon a young woman not ready or pregnancy as the inevitable result of one night between two clueless teenagers – led to a sense of hopelessness. Her birth father was the silent partner in this transaction. A ghost.
The adoption process had changed in 36 years. My child would know my name, would be able to trace his genetic strengths and frailties back a generation or two. His new family would send me pictures. I would be permitted to write him letters. But when we were in those Golden Cradle offices, he was another existence created to be denied. I was young and angry, and what was happening didn't seem real.
My biological grandmother, my mother, me: we all played a role in the conspiracy of suppressed connection. It was a gift passed along the generations. A present for my firstborn.
The home of permanent in between
When my grandmother started to show, her parents sent her to the city. They dropped her off at the Florence Crittenton Home for Unwed Mothers. I imagine her emerging from the black car alone, tattered suitcase in hand, looking nervously up the set of granite steps. Inside, somnolent girls in the late, leaden months of pregnancy, inward, deliberate, walk slowly through the gray halls.
It is the home of permanent in between; the suppressed energy of smothered potential thickens the air. The girls, all going by pseudonyms, make very little small talk. In the nursery, rows of bundled babies silent as dolls wait, neatly packaged in individual bassinets. Once retrieved, the babies seek out their mothers’ faces, liquid newborn eyes encountering guarded glances. Both mother and child have learned not to waste energy on tears or outward displays of emotion. The bonding and the break are inevitable.
This is how I picture my mother’s birth: hazy trauma of labor, discovery delivered as flat fact – “it’s a girl.” They undo the straps, let the drugs wear off. Hours later, my biological grandmother holds her swaddled daughter, names her Lois. Lois is tiny – less than five pounds – too little to be released to her adoptive family. Over the next six weeks the pair are entangled in the monotony of new life, the seemingly endless cycle of feeding, diapering, and sleep. They calm to one another’s warm, familiar scent. Their gazes become intimate. Bone-deep.

When the six weeks are up,
Aunt Ruth, a go-between, my adoptive
grandmother’s sister, comes to take the baby.
Waiting in the home's entrance, the young
mother frantically bounces her silent infant,
dreading the break. Finally, Aunt Ruth
appears, says her hello, and waits.
“It’s time.”
The mother hands over the baby. It is as
clean as a guillotine strike.
Before she has time to reconsider, she races
inside to the central staircase and runs up
two flights of stairs to her room. Her
breathing is contained, shallow, a precaution
against tears. She’s been trying to memorize
every inch of her daughter, the moon face
framed by white-blonde hair, her blues eyes,
dainty toes and impossibly tiny hands, but
already the image is fading. She reaches her
room and slips inside, leans against the
closed door taking short, sharp breaths. A
glass baby bottle sits on the bedside table,
a remnant from the final feeding. The girl
eyes it, finally reaching out. Then, the
satisfying sound of glass irrevocably broken,
the implied threat of jagged shards.
Taking several deep breaths, the young woman
calms. She begins to push the glass into a
pile with her shoe and decides to find a
broom and dustpan.
There will be no tears.
That was then, Part II

October 1972, Hollywood Beach, my 3rd
birthday?
The above photo was taken at my grandparents’
house during the John
the Murderer era.

Christmas 1976, Wilmington
Jim, the future and
former stepfather,
took this holiday shot. Memories of this
apartment: no car; no money; asthma attacks;
three dead cats and one poisoned hamster; the
bus ride to a movie theater showing Star
Wars; juicy cherry tomatoes straight from the
garden out back (the garden that also
contained a kitty graveyard with little
wooden crosses); iced chamomile tea; hot
carob instead of hot chocolate. For my
mother, it was a time without hope. A year
later she returned to college to complete her
bachelors degree, thus solving the
hopelessness problem for a time. This is now:

August 2008, Berkeley
My son and my mother, having a good time. We had a great visit. And yes, no one ever seems to look directly at the camera in this family. (That was then, Part I can be found here.)
The pain that is invisible
In a conversation last night, she casually tossed out a line that I had to follow up with, because it indicated how bad things were for her at a couple points in my childhood. I’m sure she’s dropped this line with insouciance before, and I’ve just followed her laid-back lead. But it’s deadly serious. And frightening. And sad.
Of course, my mind is buzzing with thoughts, about secrets, about forgiveness and the pain that is invisible when you are growing up, the pain of the depressed, hopeless parent. Maybe not totally invisible. I was a sensitive kid, the little mother, always worried. Part of the worry, however, was about me: what was going to happen to me if something happened to her? Today I feel mainly empathy for her pain and sad that she’s felt so hopeless.
I’m sure she’s awake downstairs, drinking a cup of coffee and reading the New York Times. So, off I go to start the day ...
From the inside
Part of what unsettled me was the link back to my own words (which I’ve changed to better reflect my feelings). The “why” of writing to survive was initially a rather bleak description of what life was like for me for the first two years of my son’s existence. This was a difficult time with many struggles to maintain eveness. I lost a lot of myself, my marriage changed, and I’d have to say there was some depression tossed into the mix, too, though I was never treated.
So. I love my son. I am lucky to stay home with him. He makes me laugh. We dance and sing and talk and read together. He has also been an impetus for change, a reminder to slow down and enjoy. With him I am able to remake my own childhood, borrowing the good bits and discarding the bad. I am lucky to be able to do this AND write.
Which brings me to my husband, an amazing man who is my biggest supporter. When I need reassuring about my parenting skills, he is quick to soothe. He loves to read my work. He gets take-out when I am tired of cooking. He understands when I use naptime (when naptime happens) to write instead of clean. We are truly a team. I love you, H.
There are nuances to this angst, and as I’ve been writing here and privately, the angst shifts and dissipates. The words have saved me.
This is writing to survive.
Louise Peevish
"Oh, Louise is being peevish again," we'd say. "Louise Peevish."

It was the move back to Maryland that did her
in. There were stories of other dogs that had
cracked after hearing the tests at
Aberdeen Proving
Ground, dogs that pushed their
way through second story window screens,
desperate to escape the sounds of the bomb
and munitions tests across the river. The
aural bombardment contributed to Louise’s
general nervousness, but now when a
thunderstorm blew through town, she was
absolutely inconsolable. No drug calmed
her. By the time you got the pill down,
the storm had passed.
One afternoon, my mother drove with Louise to
the local grocery store. Mom rolled the
windows down a safe distance, locked the
doors, and entered the market.
She was filling a plastic bag with green
beans when she heard a little girl’s voice.
“Look, Mom, there’s a dog shopping in the
Acme.”
“Not my dog,” thought Mom, as she weighed the
beans and continued to the toiletry aisle.
The little girl spoke again. “Look, Mom, the
dog is still shopping in the Acme!”
“Not my dog,” thought Mom again. She glanced
past the row of shampoos to the plate glass
windows – were those thunderclaps she heard?
– when she saw Louise, panting heavily, on
the run from one of our favorite check-out
guys, a kid who worked his way up from bagger
and always made friendly conversation. Louise
darted for the automatic doors, heading along
the sidewalk in the direction of the
Chat-n-Chew.
Abandoning her cart, Mom also ran for the
door. Outside, storm clouds were gathering
force. She watched Louise scatter a school of
carpenters, men in dirty jeans and mud-caked
work boots, as the dog passed the restaurant
and made a left into the hardware store. Mom
followed, pushing past customers, until she
found Louise in the back of the store,
trembling by the PVC piping.
My mother stayed there with her until the
storm passed, then walked her back to the car
and drove home, sans groceries. Apparently,
the dog panicked when she heard the
approaching thunder, pushed through an open
car window and went looking for Mom. We were
grateful that she wasn't hit by a car.
About two years after the Acme incident, I
came home from grad school for a visit.
Things were grim. Kevin, my mother’s
long-term boyfriend, had been diagnosed with
a rare bone marrow disease. My mother was
close to declaring bankruptcy. And Louise was
getting more peevish and skittish.
Her fits of panic weren't limited to
thunderstorms; now the dulled explosions from
Aberdeen were having a similar effect. She
was terrified. If no one was home, she would
attempt to escape -- Mom was afraid she would
force her way through a closed window,
pictured a return home to bloodied shards of
glass and no dog. If someone was home, she
would scratch and pace, pant and whine.
Louise was suffering.
I went with my mother to the appointment. We
sat with Louise, stroked her as the vet
depressed the needle. It was over quickly.
On the ride home, we didn't speak.



