Two ways of looking at it

notebook


I wish I could explain the importance of the notebook. It’s one of those old black and white composition books, barely held together by 45-year old glue and stitching, the edges of the pages the color of dead oak leaves, cured by time. An artifact, a little piece of Kevin, half-filled with poems of late adolescence, poems that he probably wrote in his senior year of high school. They are short and generally angry, each one typewritten and stapled or taped to the front of a page.

If I could explain the importance of the notebook, maybe I could explain the importance of Kevin. How can someone who tried to destroy me, who battered my mother emotionally, be so key to who I am? Kevin was extraordinary. I’ve never met anyone like him, a man who pushed himself out of a childhood of emotional and physical abuse and formed a self out of will and ashes. He was a poet, a self-taught carpenter, a working class intellectual. In the midst of
fatal illness, he completed his dissertation and received a PhD. He was also so wickedly funny that my mother and I still laugh when we remember his stories and jokes.

Kevin sometimes ripped us to shreds with that knife-like wit. He was an active participant in the neglect that led to my pregnancy at sixteen. Whenever he saw hypocrisy or hidden motive – which was often – he skewered the hypocrite, uncloaked the motive. His ability to see the darkness in himself and others never took into account the overwhelming goodness we each have, the lightness that makes up most of who we are.

I have a lot of empathy for him, whose cruelty and black math was caused by a childhood of pain and anger, but it probably helps that he is off stage now, six years dead. It was a long and painful exit. Kevin didn’t deserve to suffer, to be hospitalized for six months, to have his body whittled down to 80 skeletal pounds. He didn’t deserve to lose his ability to swallow and sometimes to breathe unassisted. No one deserves what happened to Kevin. But that time of suffering was also a time to make peace. I was at the hospital for hours almost every day, there for both him and my mother, keeping company, being a second set of eyes to make sure no mistakes were made. I was there for comfort.

It gave me a chance to prove my humanity, to show that we all have the ability to be good. Even him. Even me.

Sometimes I still believe it. But writing that paragraph about how I benefited from Kevin’s suffering leaves me with a dirty feeling, as though I relished the opportunity to be redeemed through his pain. It wasn’t like that. I was there because I wanted to be, couldn’t imagine being anywhere else.

constitution


Kevin’s final day stretched and stretched from early morning into late afternoon. A small group of family gathered in his hospice room and listened to him wind down, heard the silent spaces grow between each breath, watched his heart flutter out from under his ribcage. Outside, daffodils were pushing through once-frozen ground and the forsythia was in bloom. The world was coming to life again as we sat and waited for death.

It came with a dramatic final exhale followed by dead quiet. The dog broke the silence with a bark, my mother reached for me and Kevin’s son, held us and cried. Mom later said she felt Kevin’s energy leave his body, had an image of him walking along a river path against a cloudless sky, his old collie Augie by his side. When Kevin's brother thanked me for my presence, I said, "I'm so glad we had this time," and immediately regretted it. What was I saying? Those six months of dying were great? What a wonderful opportunity for me?

That night I woke up after midnight to the pressure of Kevin’s hand on mine, a grateful and loving presence.
Don’t be hard on yourself. You were there for me. Thank you.

Then he was gone.

Two Ways of Looking at It
Kevin Sheehan (Knife Gift)

The magician, who is about to perform,
is wearing a suit which belongs to
his father. No one is supposed to know
that he is not his father. His first
trick, which involves some
simple sleight-of-hand, is well-received.
he bows, and the suit collapses.

And what if I would not grow up,
would not perform
the necessary murder. So what.
Was it any of your business?
I chose to be the child, hurt
and unhurting, but my body,
my beauty, betrayed me.

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Ramble on

Will I sound like a mealy-mouthed fool?

It’s started – 10 weeks of writing prompts, writing every day for 10 –12 minutes. No edits or changes, just send the piece to that week’s partner and give them feedback on their piece. I think I can, I think I can, I think I can. Well, I know I can write, given unlimited amounts of time to tinker and touch-up. I’m accustomed to taking my time, going back and changing things, moving words around.

What am I afraid of? Making a mistake? Sounding like an idiot? Actually, though my nerves tingle and twang as I look at each day’s prompt, there is something about it that is freeing. Just go with the words. Letting things go has always been difficult for me.

I attribute this in part to years of dinner table discussions with Kevin, my mother’s long-term boyfriend. Anything you said could reveal your intellectual and moral vacuity; flabby thinking was the sign of a rotten psyche. He was good at it, could sniff out half-baked statements, then deflate them with a quick rational jab. How could I challenge what was true when truth was a moral issue and the challenge itself a sign of my moral bereftness? My mother trapped herself for 18 years in these conversations. Over time her tiny reserve of self-confidence depleted.

As I sat in the Writing Salon this Sunday, for one of two class meetings (the rest is online), I watched the instructor. Thin, petite, probably somewhere in her fifties, with dark shortish hair, she could be my mother (I’m finding a lot of women in their fifties who look like they could be my mother; it won’t be that long before I could be her, too).

My mother is full of creative energy. She writes incredible poetry, designs jewelry made from glass and metal she finds on the streets of Baltimore, and has made some beautiful pieces of pottery. Her garden is amazing. She reads and ponders, is an excellent conversationalist, funny and erudite. She has spent most of her career being a copywriter, first for advertising companies and later for two universities. But she has never had the fundamental level of confidence to take on things in her life completely.

traintown
Mom, August 2008.

“You’re secretary material,” my grandmother used to tell her with more than a hint of contempt, trying to subdue Mom’s thoughts of going to college. Perhaps no one was surprised when she got pregnant and dropped out to become … a secretary, though she later went back and got a degree in English and Anthropology. Her family refused to see her intelligence, her need to be intellectually engaged.

So here I end up, writing about writing, and it morphs into writing abut my mother. This post took 12 minutes to create, though I can’t bear to let it go through raw: there will be some edits. Over the coming weeks I’ll put class work out here, polished or not, though I’m probably not going to post the bad stuff. Or maybe I will. That could be freeing, too.

In the meantime, I’ll remind my mother of her talents. She reads my stories, tells me I have a way with words. “It must be those Irish genes,” she says, alluding to my father’s side. The last time she said that, I came back with “Or my Polish?/German?/Swiss? genes!” (all theories of nationalities, since she is
adopted.) We both laughed – doesn’t that mean I should be making watches or kielbasa or something? – but she knew what I meant. She’s got talent.

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Louise Peevish

Louise wasn't always peevish. Part Irish Setter, the rest unknown, she was a skittish creature, loving and overly eager to please. She’d collapse at your feet at the first sign of disapproval, submissive belly up. Insecure. Over time, her insecurities revealed themselves as low rumbles of false bravado, lip curls and warning growls at Samantha, the other dog in the house. It was an act. She never actually bit anyone.

"Oh, Louise is being peevish again," we'd say. "Louise Peevish."

louise


It was the move back to Maryland that did her in. There were stories of other dogs that had cracked after hearing the tests at
Aberdeen Proving Ground, dogs that pushed their way through second story window screens, desperate to escape the sounds of the bomb and munitions tests across the river. The aural bombardment contributed to Louise’s general nervousness, but now when a thunderstorm blew through town, she was absolutely inconsolable. No drug calmed her. By the time you got the pill down, the storm had passed.

One afternoon, my mother drove with Louise to the local grocery store. Mom rolled the windows down a safe distance, locked the doors, and entered the market.

She was filling a plastic bag with green beans when she heard a little girl’s voice. “Look, Mom, there’s a dog shopping in the Acme.”

“Not my dog,” thought Mom, as she weighed the beans and continued to the toiletry aisle. The little girl spoke again. “Look, Mom, the dog is still shopping in the Acme!”

“Not my dog,” thought Mom again. She glanced past the row of shampoos to the plate glass windows – were those thunderclaps she heard? – when she saw Louise, panting heavily, on the run from one of our favorite check-out guys, a kid who worked his way up from bagger and always made friendly conversation. Louise darted for the automatic doors, heading along the sidewalk in the direction of the Chat-n-Chew.

Abandoning her cart, Mom also ran for the door. Outside, storm clouds were gathering force. She watched Louise scatter a school of carpenters, men in dirty jeans and mud-caked work boots, as the dog passed the restaurant and made a left into the hardware store. Mom followed, pushing past customers, until she found Louise in the back of the store, trembling by the PVC piping.

My mother stayed there with her until the storm passed, then walked her back to the car and drove home, sans groceries. Apparently, the dog panicked when she heard the approaching thunder, pushed through an open car window and went looking for Mom. We were grateful that she wasn't hit by a car.

About two years after the Acme incident, I came home from grad school for a visit. Things were grim. Kevin, my mother’s long-term boyfriend, had been diagnosed with a rare bone marrow disease. My mother was close to declaring bankruptcy. And Louise was getting more peevish and skittish.

Her fits of panic weren't limited to thunderstorms; now the dulled explosions from Aberdeen were having a similar effect. She was terrified. If no one was home, she would attempt to escape -- Mom was afraid she would force her way through a closed window, pictured a return home to bloodied shards of glass and no dog. If someone was home, she would scratch and pace, pant and whine. Louise was suffering.

I went with my mother to the appointment. We sat with Louise, stroked her as the vet depressed the needle. It was over quickly.

On the ride home, we didn't speak.

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A Dream of the Snow

He was my mother's boyfriend for almost two decades. Creative and manipulative, mercurial and whip-smart, brave to the end, Kevin was a complicated man who caused a lot of damage. He couldn't help it, with his own childhood of abuse and cruel words never far from the surface.

By the time he died, after eight years of illness, we had reached a peace. I loved him like a father.

Today would have been Kevin's 62nd birthday. (My mother just called to tell me she had a pain in the neck, just like she has every year on his birthday. Ah, the tension continues even after death . . .)

In honor of Kevin, I am posting one of his poems, "A Dream of the Snow." For many months after his death six years ago, my mother had this as her voice mail greeting. She got a lot of hang-ups.

kevinstudy

A Dream of the Snow
From
Knife Gift by Kevin Sheehan

For a long time I hid
while my body grew,
watched while it learned
a hard way to speak
till the clothes that it wore
no longer fit me
and I could not understand
a word of its speech.

For a long time I slept
while my body dreamed,
cried when it married, moved
away. Now I dream alone
in the room where we played.

Not of the fields, but the falling,
not of the cold, but the coming down,
my body is a dream of the snow.



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First time in weeks ...

First time in weeks ... that C is asleep before 9:00/9:30. No nap = long day, easier night. H and I actually had uninterrupted, leisurely dinner conversation. No one wanted to sit on my lap and eat (not even the cats). And I know I will be awake for a while to talk or read or write. Just like life used to be, except I'm older and crankier.

The K story is changing. All of the sudden, there I am, with opinions and experiences and a viewpoint. K's arrival wasn't the first thing to ever happen to us. He stepped into a context, into a scene that needs to be set. And for this, I have to include my mother's second husband and the quirks of our great triumvirate. Without getting into it too much.

What is lost -- a tight, arid focus -- is worth losing. It's funnier, too. And maybe it's really about me anyway, right?
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Making it personal

So I've been building my little brick house of a story, slowly adding each brick straight from the kiln in my brain. The whole point has been to explain Mom and K, to attempt to be fair and accurate, to provide their all-too-human motivation, so I can forgive. Explanation is impossible, of course. I don't know the half of it, I forget a lot of it, and I don't understand my own complex motivations.

Yesterday, I read through what I've completed of my brick house. I ended up feeling as though I had swallowed a brick (and I now wonder how far I can take this analogy). It is dense stuff, well-crafted paragraphs that describe them, but as a story are somewhat monotonous. It lacks life. My mother is right -- this is about my experience, is my attempt to exculpate them, and to get over the past. So I have to jump back into the story, become the third character.

I also have to add some real life. That's difficult. The fights, well, they kind of blend together in my mind, though there are some very memorable ones. The conversations -- most of them are gone, too. But the past can be conjured, and sometimes impressions are better than facts.

The hospital and hospice: they are still fresh. I'm beginning to wonder how much of my story will be that, the time when I could be there so unconditionally, providing support, showing that I was a good person. That wasn't my intention, to focus on that time. But it was the beginning of forgiveness and understanding.

Enough navel-gazing for tonight.
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